Term Paper on "Vincent Canby"

Term Paper 4 pages (1272 words) Sources: 4

[EXCERPT] . . . .

Vincent Canby

Canby a passionate supporter of many filmmakers was born in Chicago, Illinois to Katharine Anne and Lloyd Canby in July 27, 1924. He attended a boarding school with the novelist William Styron and after war service in Pacific; he attended Dartmouth College, which saw his employment as a film critic by "Variety." He served in the navy as an officer in World War II. Serving long time in Japan and France helped him build up a taste of adventurous foreign films. A prolific writer, he penned the novels "Unnatural Scenery" and authored plays. He never got married but maintained a long time partnership with critic and film fiction writer Penelope Gilliatt who passed away in 1993.

He heavily criticized much-admired films, such as "The godfather II." He later switched his attention to theatre and later named the chief theatre critic in 1994. He got branded as America's most prominent critic for a quarter century. He had an effortless style that captivated with wit and common sense. Known for his polished, outspoken but expressive prose and his longtime eagerness for writers and directors, he was part of a generation of thoughtful and artistic critics. During his long time as a leading film critic, his opinions were mostly cherished and hotly debated because he was a trusted and frank guide for the audience. Despite his respect for intelligent filmmaking, it was challenging for playing the role of the advocate. He would always finish writing a review, and then carefully analyze it to remove lines that could be quoted by the studios. Seeing his name in citation previews was dissimilar to his own sense of dignity.

Canby began writing the theatre column in 1993, taking a break from the position to try his hand as the chief theater critic before returning. In print, he was a dignified voice that could take on a note of opposition when attacking the dishonesty of more improved musicals. His writing improvised the whole intensity of criticism. He had an excellent understanding of the theatre hence refined review of theatrical arts. In the review of the movie "Let the Good Times Roll," which follows a performance in the 1970's, Canby cited that the film seemed not to be deliberate on social observations, with the majority-white viewers giving the black fist to the majority Negro performers. He suggests that it portrayed the sense that there were no black memories of the nineteen-fifties.

The 1981 Australian film "Mad Max 2" directed by George Miller released on December 24, 1981 sparked critics. The film got a well reception from critics being the best of 1981. Canby noted that never has a films visualization of post nuclear sacred world seemed quite wild and as atrocious. As action packed and sometimes as hilarious as depicted in the movie, an exaggerated film fancy that resembles a fiction comic book came to life. He later points out that the movie does not reveal its vision of a violent future with characters band dialogue. It hardly uses frames of a plot, but the peculiar effects and aerial tricks are unique and terrifying, sometimes repulsive exciting effect. The 1976 drama movie "The Front," focusing on the age of live television with Hollywood blacklist, caught his attention. Canby while reviewing it for the New York Times widely expressed his critics. He acknowledged the lack of direct political observations in the film. He commented that the movie was not the objectionable piece of American history. He critically said that it did not ring a bell to the people on the political era (Melnick & Fuchs, pg 122).

He furthermore emphasized on the point that the movie encourages the audience or the viewer to recognize the emotional repercussions of outlining and finger pointing by telling the experience of a man. Vincent Canby clash with… READ MORE

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