Research Paper on "Social Realism and the Great Depression"
Research Paper 3 pages (1168 words) Sources: 6
[EXCERPT] . . . .
Social Realism and the Great DepressionThe social realism movement actually began in the 19th century, according to sociologist and social anthropologist Peter Worsley. It was an art movement based on depicting persons and landscapes just as they are seen with the naked eye. It was adopted by American painters in the early 1900s, Worsley writes, and became "particularly important during the Great Depression" (late 1920s and early 1930s) (Worsley, 2010, p. 2). Worsley notes that social realism, during the Great Depression, was seen as a movement to depict injustice, economic hardship, and the pain people were struggling with during the Depression.
Worsley explains that "realism" reveals exactly what the eye sees, and the original realism movement actually grew out of the invention of photography, as artists wanted to create painting that showed things as "objectively real." "Realism" was certainly the main thrust of the social realism movement during the Depression because the paintings and photography showed hungry people waiting in line for a bowl of hot soup, men breaking rocks, hobos hopping on a train, a mother comforting a hungry child while father hitchhikes with his thumb out.
On a broader scale, Worsley continues, social realism is a continuation of the "realist" movement in French art in the 1800s; a good share of the artists who used the genre of social realism were "socialists," according to Worsley; not Marxist per se but socialist in philosophy, he points out. Realism in fact is the opposite of "Romanticism" (Worsley, p. 2). And in fact realism was a rebellion against "exaggerated emotionalism," he adds.
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Meanwhile during the Depression, painters working in the social realism genre were relating "sociopolitical commentary," Worsley writes. Joblessness, political corruption and grim poverty were themes embraced by artists like Ben Shahn, Philip Evergood, Charles White, Jack Levine and William Gropper. All of these artists were employed at one time by the WPA.
The Federal Art Project (FAP) was one of the New Deal features that helped put people to work. It ran from 1935 to 1943, according to the Illinois State Museum (ISM) Website. Many people who had lost their jobs in businesses but had artistic talent were given an opportunity to earn some money. "It was the largest and most long-lived of all the New Deal visual arts programs" and the FAP didn't dictate to the artists what style they could use or what their themes would have to be. But it was obvious that the main theme running through the country was the Great Depression, so many of the artists used that theme and included poignant expressions on faces to go along with the general tone of pathos.
A painted plaster 48 inches tall (in the museum) is pictured on the ISM site -- a man and woman, the woman holding a child -- is called "Rural Couple with Child." Another work on exhibit in the museum in Illinois is a painting by Joseph Vavak called "Give"; it shows three men, one with his tin cup extended in his right hand and his left hand's palm extended outward; another playing a violin; a third using a cane and looking seriously stressed (ISM).
Among the most well-known of the Great Depression artists was Thomas Hart… READ MORE
Quoted Instructions for "Social Realism and the Great Depression" Assignment:
I would like to hava a paper on how Social Realism became an important movement duing the great Depression. I would also like to focus some on the Social Realism photographer, Dorothea Lange, and how her photos captured the families affected by the Great Depression.
How to Reference "Social Realism and the Great Depression" Research Paper in a Bibliography
“Social Realism and the Great Depression.” A1-TermPaper.com, 2010, https://www.a1-termpaper.com/topics/essay/social-realism-great/1420444. Accessed 3 Jul 2024.
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