Essay on "Nude: Venus and Adonis in the Renaissance"
Essay 4 pages (1391 words) Sources: 3 Style: MLA
[EXCERPT] . . . .
Nude: Venus and AdonisIn the Renaissance painter Titian's original depiction of Venus and Adonis, the nude Venus sits, clinging to her lover Adonis, as she tries to restrain him from going to hunt wild boar. Her nudity represents female perfection and sensuality in the context of Titian's work. Titian's audience would be familiar with the gods and goddesses of mythology and the story depicted in the painting. Venus was famously the goddess of love, the most beautiful woman in the world, and Adonis, her mortal lover, was the most beautiful man in the world. Today, although the story is less well-known, Venus (and Cupid in the background) is still famed as the goddess of love and beauty, and a handsome male is often called an 'Adonis.' But the seemingly exaggerated fleshiness of Venus (in modern eyes), her bare buttocks, and the feminized yet powerfully dressed Adonis suggests that the painting might inspire humor rather than pity in a modern observer. Titian's original audience was likely to have taken the painting more seriously, as well as been more familiar with the story of Adonis' untimely death, which is not shown in the painting.
In terms of the scenic arrangement of the original work, only Venus' exposed backside is revealed and her front is concealed from the viewer, probably covered by a drapery. Her form looks soft and rotund compared with Adonis' hard, armor-encased frame, as he stands, ready to go and do battle with nature. It looks as if the two of them have been sleeping side-by-side, until Adonis dressed to leave. Venus has decided to arouse herself, half-clothed, aware that her lover is going to his doom. "She clings to him, imploring him not to go, but Adoni
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This is the paradox of the painting -- although Venus looks more vulnerable because of her nudity and femininity, it is really Adonis, the human male who is more vulnerable. In resisting the nude and the goddess' sexuality, he is departing for his own grave. The nude goddess of love represents life, Adonis heads to his death. Although Venus' buttocks, depicted in the foreground of the painting, are often used for humorous purposes in modern depictions of the nude, this is not the case in the original painting. "Venus's awkward pose… was inspired by an ancient sculptural relief" (Venus and Adonis, The Getty Museum, 2009). The painting reflects the revival of classical artwork that manifested itself during the Renaissance. It also shows a new interest in celebrating physicality and sensuality as well as anatomy. Her awkwardness suggests her difficulty in restraining Adonis.
Venus' nudity is not displayed in a static fashion: it is highly kinesthetic, which makes it seem even more sexual. Venus is writhing and actively involved in the painting as she pleads for her lover to stay. "Titian's loose, energetic strokes of paint give the painting a sense of spontaneity and movement. In some areas, the artist even painted with his finger, as seen in Adonis's arm. The composition's dynamism…used rich colors, shimmering highlights, and a lush landscape to create the painting's evocative, poignant mood" (Venus and Adonis, The Getty Museum, 2009).
As depicted on the cover of a scholarly book, Titan and Tragic Painting, however, the nude Venus is used to draw the eye of the viewer to purchase the work. The use of Venus' nudity has a more playful quality, as her buttocks are at the center of the cover design. Perhaps this choice of centering Venus indicates that the writer has some sense of humor about his subject. He may have wished to convey the fact that,… READ MORE
Quoted Instructions for "Nude: Venus and Adonis in the Renaissance" Assignment:
Explore these questions in a four-page paper by finding and analyzing such an instance of contemporary recontextualization. Begin by find an instance where an older work of art (pre-1900) featuring the nude has been reproduced on the cover of a book or a CD or in the packaging design for some other commercial product, in a print or television ad, as stock illustration for a newspaper or magazine, or in other aspects of contemporary media. Begin by identifying the original image and briefly discuss it in its original context. (Be sure to cite at least one or two sources for this portion of the paper.) Then go on to address some of the following questions: How does the image, together with its art-historical baggage, relate to the product (text, music, etc.) being sold? What happens when an image is recontextualized in this way? How does our society's notion of nudity/nakedness differ from that current in the original context of the image you discuss? How are present-day consumers expected to read the image, and how is it supposed to convince them to buy the product? Are these present-day consumers expected to know anything about the image's history? What part of the image's meaning is lost in the transition from past to present? What is gained? Has the image been changed/manipulated in any way? If so, how do these changes affect its meaning?
One of art history*****s tasks is to help retrieve, for the contemporary public, the meanings that older works of art used to hold for observers at the time of their creation, meanings that may have gotten lost in the intervening centuries or millennia. Such works, then, are seen to be in need of historical reconstruction and reinterpretation in order to be fully understood today. Contemporary commercial images (such as advertising, commercial packaging, or works of popular entertainment such as movies or music videos), on the other hand, need to address the public directly and to be fully understood without mediation.
What happens, then, when a commercial image includes, quotes, or references an older work of art? How much of that artwork*****s original meaning is supposed to come through for today*****s consumer, and to what extent is knowledge of that original meaning important in order to understand the commercial message? How is the original work of art recontextualized, and does it gain new meanings in the process? Furthermore, what happens when the older artwork in question is a representation of a nude figure*****”the kind of image that, on one level, we are expected to comprehend *****naturally***** and without mediation?
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How to Reference "Nude: Venus and Adonis in the Renaissance" Essay in a Bibliography
“Nude: Venus and Adonis in the Renaissance.” A1-TermPaper.com, 2009, https://www.a1-termpaper.com/topics/essay/nude-venus-adonis/5375. Accessed 5 Oct 2024.
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