Essay on "Nude: A Critical History the Pope Julius"

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Essay 4 pages (1350 words) Sources: 3 Style: MLA

[EXCERPT] . . . .

Nude: A Critical History

The Pope Julius II, Michelangelo and the pilgrims who came to Rome after he finished the painting of the Sistine Chapel in the sixteenth century, were all under the powerful impression left by the stories told by the images masterfully created on the ceiling.

Michelangelo is considered the first artist to have understood the importance of the human body in its representation as a nude in art. The Renaissance period revived the Greek and the Roman classics and brought the beauty of the human body in various representations back on the canvas and in the workshops of artists of various kinds. Bernard Berenson goes as far as concluding that Michelangelo saw in the human body the supreme form of art and chose to study it in the tiniest details possible in order to achieve perfection. The perfect rendering of the human body equaled the perfect work of art. The importance of "life confirming" and "life enhancing" was according to Berenson expressed in Michelangelo's work by his obsession with the human body.

The sixteenth century was the era of awakening on many levels in the history of humanity. The Renaissance period swept the world with new ideas revived from the old classics, inventions and innovations that will for ever change the face of the world and put it on a new course. The middle Ages taught human beings to be humble and repent in order to have a chance at the Judgment Day. Renaissance brought new ideas and forms of expression to life and changed the way people envisioned themselves and their place in the order of things. It gave humanity a central place in the universe instead of leaving it as a complementary form of exist
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ence. The human body in its necked form was beginning to represent the focus of the artistic expression in its struggle to find the best representation and the means to bring the artistic creation to the public. Bernard Berenson points out that the nudes in Michelangelo's art works, especially in his paintings of the Sistine Chapel summarize "manliness, robustness, effectiveness, the fulfillment of our dream of a great soul inhabiting a great body" (Berenson, 169). He continues remarking that "Michelangelo completed what Masaccio had begun, the creation of the type of man best fitted to subdue and control the earth, and, who knows! Perhaps more than the earth"(idem, 169). The hopes and aspiration of a great period in the history of the human kind were reaching no limits. The public was glad to enjoy the beauty of the human body and experience feelings of gratitude as to the genius of the artist. Those who came to Vatican and admired the paintings on the Sistine chapel were full of piety and devoted to religious experiences, but they were also bereaved by the beauty of the art work itself. Adam was one of the central figures and it represented humanity in its essence.

The same nude representing Adam brings a different message to the modern viewer in the art work created by James Cauty. The stamp series created for the Cautese National Stamp Reserve includes a section entitled "Collapse and Closure." The "Over and Out" stamp represents Adam as depicted by Michelangelo on in the ceiling of the Sistine Chapel, wearing a gas mask and socks and brought to life by a God with Mickey Mouse's head. The modern viewer is no longer under the impressions left by religious ecstasy the pilgrims that came to Rome in the sixteenth century were experiencing. Although religion has not cease to manifest itself on many levels and in many parts of the world, the modern times are more and more under the influence of theories that relate to Darwin and less ready to fall under the hopes brought by belief in a superior power represented by God.

Michelangelo's Adam was beautiful in his humanity as well as in his super-human spirit inspired by God's work. Jimmy Cauty's Adam is wearing a gas mask and socks and is brought to life by… READ MORE

Quoted Instructions for "Nude: A Critical History the Pope Julius" Assignment:

Explore these questions in a four-page paper by finding and analyzing such an instance of contemporary recontextualization. Begin by find an instance where an older work of art (pre-1900) featuring the nude has been reproduced on the cover of a book or a CD or in the packaging design for some other commercial product, in a print or television ad, as stock illustration for a newspaper or magazine, or in other aspects of contemporary media. Begin by identifying the original image and briefly discuss it in its original context. (Be sure to cite at least one or two sources for this portion of the paper.) Then go on to address some of the following questions: How does the image, together with its art-historical baggage, relate to the product (text, music, etc.) being sold? What happens when an image is recontextualized in this way? How does our society's notion of nudity/nakedness differ from that current in the original context of the image you discuss? How are present-day consumers expected to read the image, and how is it supposed to convince them to buy the product? Are these present-day consumers expected to know anything about the image's history? What part of the image's meaning is lost in the transition from past to present? What is gained? Has the image been changed/manipulated in any way? If so, how do these changes affect its meaning?

One of art history*****s tasks is to help retrieve, for the contemporary public, the meanings that older works of art used to hold for observers at the time of their creation, meanings that may have gotten lost in the intervening centuries or millennia. Such works, then, are seen to be in need of historical reconstruction and reinterpretation in order to be fully understood today. Contemporary commercial images (such as advertising, commercial packaging, or works of popular entertainment such as movies or music videos), on the other hand, need to address the public directly and to be fully understood without mediation.

What happens, then, when a commercial image includes, quotes, or references an older work of art? How much of that artwork*****s original meaning is supposed to come through for today*****s consumer, and to what extent is knowledge of that original meaning important in order to understand the commercial message? How is the original work of art recontextualized, and does it gain new meanings in the process? Furthermore, what happens when the older artwork in question is a representation of a nude figure*****”the kind of image that, on one level, we are expected to comprehend *****naturally***** and without mediation?

I hope this paper can be write by *****, if not, also ok

thank you *****

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Nude: A Critical History the Pope Julius.” A1-TermPaper.com, 2009, https://www.a1-termpaper.com/topics/essay/nude-critical-history/619786. Accessed 5 Oct 2024.

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1. Nude: A Critical History the Pope Julius [Internet]. A1-TermPaper.com. 2009 [cited 5 October 2024]. Available from: https://www.a1-termpaper.com/topics/essay/nude-critical-history/619786
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