Term Paper on "Native Son -- Marxism and Existentialism"
Term Paper 4 pages (1411 words) Sources: 1+
[EXCERPT] . . . .
Native Son -- Marxism and Existentialism in Dialectic in African-American LiteratureRichard Wright's Bigger Thomas is a Black man who commits a violent act, not of his own volition, but because of the prejudicial constructs of the White society Bigger is located in, as a Black man. At the beginning of the text of Native Son, set in 1930's Chicago Bigger is a driver for a wealthy family with a liberal minded daughter named Mary. Bigger feels alienated from larger American society, however, because he lives in a world with no apparent avenues for Black advancement, a society that sees Blacks as only criminals or servants. At one point, speaking with his fellow African-Americans, he muses that no matter what happens, even if men land on the moon, they will not send Black men to do such fantastical things.
Soon afterwards in the novel, when Bigger is escorting the drunken Mary back to her room after a night he has spent in Harlem, at her behest, driving her boyfriend and herself around the town to various exotic jazz and juke joints, he panics. When he fears he is about to be discovered with the prone body girl, Bigger accidentally strangles her to stifle her cries, mostly out of fear of being discovered and labeled a Black rapist of a White woman. Instead, this innocent man becomes the being White society has long feared, ironically because of his own fears of incarceration as a rapist. Bigger hides his crime, but is soon found out by the institutions of White justice and is summarily executed. "Bigger's crimes" thus are shown "to be the result of a fear" that is "itself the product of his acting out others' definitions of himself and the world." (Descorte, 1998, p.8)
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In essence, Wright suggests that in the persona of Bigger, White society creates its own 'monster' -- that of the Black man in search of White women, by forcing Bigger to live in constant fear and suspicion of being desirous of White women. Yet, society offers few avenues of employment for Black men, other than employment as servants in White homes. Later, the lawyer's defense of Bigger Thomas in Native Son suggests not only was Bigger not at fault, but the crime was virtually inevitable, given the nature of the societal pressures Bigger was forced to live by, essentially making his defense case on the grounds of criminal causation -- society, not the man caused the enactment of the crime. This class-based defense of Bigger's case, although it does not win Bigger freedom, was one that Wright himself found persuasive at the time, on a personal level.
However, later Wright was to break with the American Communist party, a break that perhaps can be seen in the machinations of the defense attorney himself, as the man's language in the courtroom and rhetorical strategies prove ineffectual in saving Bigger. But before his break occurred in 1944, as voiced in a public essay, in the 1930s Wright's project in Native Son was evidently to try to commit his highly personal art to political engagement, willingly blurring the line between "art" & "propaganda." (Railton, 2005) the needs of Black men like Thomas in the political here and now were thus explicitly contrasted between the spiritual and ineffectual comfort given by the priest before Bigger was about to die. The type of comfort given by Bigger's Marxist, radical defense attorney it might be argued, at least attempts to set his client free, unlike the priest who merely comforts him and prepares Bigger for death.
Thus, Wright's novel defines the Communist Party more positively against the ideology of Christianity as a faith. The Reverend Hammond gives Bigger a cross and tells him that the meaning of his life is to be found in the Biblical story of humanity's Fall and Jesus' Atonement. The priest makes no mention of the suffering of Bigger before Bigger Thomas even knew the woman he is alleged to have murdered, or of the fall of White men from grace, in their prejudiced attitudes. This, Wright implies, is a crucial failing of Christianity, as environed in America of his day. (Wright, 1940, p. 333)
In contrast, when the communist Jan forgives Bigger,… READ MORE
Quoted Instructions for "Native Son -- Marxism and Existentialism" Assignment:
Hello, This paper should be an argumentative research paper 1200 words 3-4 sources on Richard Wrights Native Son.
Please support Biggers role as a black man forced to violence through the pressures of a white society.
Please also try to include the Marxs ideology that Richard wright utilized in his writings.(class struggle etc etc..)
I would also like it if you could incorporate wrights existentialist ideology, and his position as a predecessor of the black rights movement and how he portrayed this through his character Bigger Thomas.
In the conclusion could you try to make inferences or predictions on what wright was trying to predict between interacial relationships. How was this apparent in his story the native son?
How to Reference "Native Son -- Marxism and Existentialism" Term Paper in a Bibliography
“Native Son -- Marxism and Existentialism.” A1-TermPaper.com, 2005, https://www.a1-termpaper.com/topics/essay/native-son-marxism/8874125. Accessed 28 Sep 2024.
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