Thesis on "United States Since 1940 Mapping the Moral Landscape"
Thesis 20 pages (6045 words) Sources: 3 Style: Chicago
[EXCERPT] . . . .
The Moral Landscape of Pre Civil Rights AmericaThe United States has always suffered from a fundamental identity
crisis. Ideologically committed to the extension of an admirable set of
values, most centrally those of liberty, justice and human equality, its
growth to a nation of incomparable prosperity was in many ways facilitated
by its combined plenteousness of natural resources and a system of
unfettered free labor known as the slave trade. As the Founding Fathers
and framers of the U.S. Constitution would begin the charge toward the war
for independence from England, this contradiction would become an issue of
increasing importance, particularly due to the seeming moral implications
of the fledgling democracy's new doctrine granting legal protection to the
great values above mentioned. However, a set of cultural, economic and
ideological divisions, especially as delineated by the regional gaps that
would spark the Civil War, prevented the Constitution from having this
immediate impact. The Civil Rights movement a century thereafter would
demonstrate that for the bulk of its history, the United States has claimed
a deeply moral code of laws and ideals but has more frequently engaged in a
deeply immoral perpetuation of a racially oppressive and unequal system.
This is a condition which defined the racial experience of blacks in the
United States for much of the early and middle 20th century where, in the
adaptation of a first generation of free-born black Americans, white
America's virulent
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described in works by novelists Richard Wright and, thereafter, by James
Baldwin, the immoral racialist fabric of American culture would manifest
devastatingly in the lives of ordinary black citizens struggling to adjust
to a nation of new laws but many of the same lingering prejudices.
The authors do go about this task differently, even though research
denotes them to have been close friends and colleagues.
To Wright, there is a fundamental sadism to the experience of
American racism that manifests as a breakdown of morality for the black man
himself. As Wright conjectures, America's historical perpetuation of an
institutionalized and virulent racism has shaped the identity of the
African American population in many ways. Among these, one of the most
fundamental causes for said population's greater vulnerability to poverty,
crime and violence is a sustained disenfranchisement that has deprived
America's blacks of a national identity. This is the complex socio-
cultural disposition that drives Wright's Native Son. Understanding the
content of the novel and analyzing the suggestion of its title, one is apt
to believe that lead protagonist/antagonist Bigger Thomas is a native to
his home, the United States. However, in this paradox, the reader is likely
to note that Bigger Thomas is denied throughout the story and alienated
from his homeland due to an immoral racial bigotry which places Bigger in
an isolated, lonely, discriminatory society. This has the impact of
shaping Bigger into an inhumane and violent creature whose absence of
identity enables him to commit monstrous acts with relative indifference.
Ultimately, the course of events around which Richard Wright's
important 1940 novel on political and racial issues of the time centers is
Bigger's lifelong disengagement from the society that has given him so
little. Wright does not take long to introduce, simultaneously, the
miserable conditions of Bigger's life and the formative responses which
have manifested within him. In the opening sequence of the novel, Bigger
and his brother are forced to hunt and kill an enormous rat while his
mother and sister stand on the bed and watch in terror. After succeeding
in bludgeoning the rat to death, Bigger proceeds to dangle the vermin's
body in front of his child sister, Vera. When Vera faints from terror,
Bigger shows no sympathy or even cognizance of his actions. His mother's
anger is palpable as she articulates Bigger's vices, charging at him,
"Suppose those rats cut our veins at night when we sleep? Naw! Nothing
like that every bothers you! All you care about is your own pleasure!
Even when the relief offers you a job you won't take it till they threaten
to cut off your food and starve you!"(Wright, 12)
The job to which she refers here, the position of chauffeur for a
millionaire philanthropist, is one which would ultimately be the forum for
the true repercussions of Bigger's nature. Following a violent altercation
with a member of his gang, and his subsequent expulsion from the gang's
hang-out, Bigger finds himself forced to interview for this job. During
the interview, the overwhelming fear he suffers from his first exposure to
the enormity and excessiveness of white wealth begins to offer insight into
the cause of Bigger's internal turmoil. The contrast between this
lifestyle and that of his family brings to bear a concrete sense of the
immoral social landscape that has shaped his world.
Bigger's brief tenure of employment for a wealthy, white family
invokes a change in him. The anger and inhumanity that had always guided
his actions, is now inflamed by a target for his resentment resentment. As
Bigger drives his employer's daughter Mary and her communist boyfriend
through the black neighborhood, her disposition leaves him silently
incensed. She speaks of the neighborhood with distant empathy, addressing
the residents therein collectively to Bigger as 'you people.' Though he
has no external response, it sparks his rage. Wright tells that "there was
silence. The car sped through the Black Belt, past tall buildings holding
black life. Bigger knew that they were thinking of his life and the life
his people. Suddenly he wanted to seize some heavy object in his hand and
grip it with all the strength of his body and stand in the naked space
above the speeding car and with one final blow blot it out-with himself and
them in it." (Wright, 70)
The decidedly low value that he appears to place on human life
extends from the low value which had been applied to his life, suggesting
one of the major psychological themes of slavery and the subsequent
segregation of the mid 20th century. Particularly, the notion that moral
applications were not meant with regard to the treatment of black Americans
precipitated the conception in Wright's works that in turn, the black
American has been denied the opportunity to develop a sense of moral
justice. Thus, to Bigger, his anger becomes the channel through which
justice is to be served rather than through morality. He resents his
family's dependency upon him and his mother's constant disparagement.
Likewise, he has no opportunities to speak of and his education and talents
are modest to poor. A peephole into white lives, which appeared to be
filled with a comfort and ease that juxtaposed grotesquely with the squalor
and peril of black lives, forced to the surface in Bigger a perhaps
unwitting awareness that the affluence of one race precipitated the misery
of the other and vice versa.
But Bigger's disposition speaks to a widespread condition amongst
blacks in the years to follow abolition. Unbeknownst to Bigger, he is a
product of an economy and a political system which are both dramatically
unequal. Indeed, the focus which Wright pays to the trials of this single
malevolent figure reveals an unpleasant archetype in Bigger for the type of
man created by the immoral disenfranchisement endemic to slavery and
segregation thereafter. Indeed, American politics have actually been
shaped so largely by the racism that it is almost difficult to detect today
this institutionalized force without the impingement of a major incident.
In understanding the moral posturing of our political system in Wright's
time, it is important to remember that the nation's growth was founded upon
its perpetuation of the African slave trade. Transporting en masse the
poorest members of African society to toil on its plantations and
agricultural estates, the U.S. achieved its fast economic growth, its role
in global resource trade and many conceits of its identity from the
permeation of free labor, which enabled the fortification of white power
until abolition in the mid-19th century. With this precedent informing
succeeding generations on racial perspective, the regions where racism had
experienced its strongest and most adversely combated support would
continue to reflect this disposition in stark economic contrasts like the
one described in Bigger's drive through the black neighborhood. Unspoken
but understood in the aspect of the text is that such residential
segregation precipitated an inherently negative experience for black
Americans.
The South, specifically, followed its defeat in the Civil War with an
institution of Jim Crow laws which, in addition to replacing slavery with
segregation, would continue to channel explicit modes of racial hatred
directly through public officials and legislative applications. Though the
Civil Rights movement would bring greater clarity to the reality of Jim
Crow, which promoted the exclusion of blacks from social, economic or
political participation in the white system, it would likewise serve to
intensify the feelings of racial friction in its region. Wright's 1940
novel seems to prefigure this in much the same way that James… READ MORE
Quoted Instructions for "United States Since 1940 Mapping the Moral Landscape" Assignment:
My paper is about The morality of America (from 1945 to the mid 1970's) towards the African American race (blacks) seen through the eyes of Richard Wright and James Baldwin.
My Paper argues the different approach each ***** took to explain about the racism, injustice, and inequality in America in dealing with the Black race post WWII.
How to Reference "United States Since 1940 Mapping the Moral Landscape" Thesis in a Bibliography
“United States Since 1940 Mapping the Moral Landscape.” A1-TermPaper.com, 2009, https://www.a1-termpaper.com/topics/essay/moral-landscape-pre/3613. Accessed 28 Sep 2024.
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