Term Paper on "What Is New in "Art"
Term Paper 4 pages (1111 words) Sources: 4
[EXCERPT] . . . .
Modern ArtOld Wine in New Bottles?
One of the most important precepts of contemporary art is that great art cannot be great unless it is fundamentally innovative. Or at least that is the official word. In fact, a certain amount of incorporation of older ideas is accepted and even expected, perhaps most easily filed under the idea that even the most highly innovative artists are supposed to understand and appreciate what has gone before them.
However, the degree to which any truly great artist (according to contemporary standards) can borrow from or be influenced by other artists is fundamentally limited. This is difficult for those of us who have grown up with art that valorizes what is new. But for many art audiences, art that is based on the idea that the new is always better and always necessary would be a very foreign idea indeed.
But while innovation is vitally important to make the reputation of the modern artist, this was certainly not always the case. Rejecting the past (or at least rejecting all but a few fragments of it) is considered to be a virtue today. But in other artistic traditions (both in other eras in the West as well as in other artistic traditions entirely) innovation is not valued so highly. Indeed, in many artistic traditions innovation can be considered a drawback rather than a virtue, a sign that the artist does not know enough about cultural values and the importance of the past and of ancestors.
In the Renaissance, for example, innovation was of far less importance. Despite the fact that in many aspects of society the Renaissance saw significant innovation, in the visual arts the
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Renaissance artists incorporated the techniques and perspectives (both literal and more general) of the artists who had done their own work hundreds of years before. The Renaissance artists recreated the past in terms of subject and values: Their attitude toward the past was positive, even reverential. They created work without censure of the past or any feelings of irony. This was probably the last period of art (and other aspects of culture) in which this would be possible.
Mannerism, a relatively widespread style of the sixteenth century, lacked a core of innovation that was entirely different from that of the neo-classicism of the early Renaissance. Artists of the early Renaissance were inspired by what they saw as the purity, even the perfection, of the classical world. They felt elevated and inspired by what had been accomplished by the Greeks and Romans and by seeking to follow in the steps of their predecessors, they sought to recreate the world's greatest art.
Mannerist artists, on the other hand, were not similarly inspired. Renaissance artists saw their inspiration by the past in almost religious terms. To them, connecting with the classical world was comparable to a religious calling and experience. Mannerist artists were not inspired in… READ MORE
Quoted Instructions for "What Is New in "Art" Assignment:
“These are the questions that need to be answered for my term paper from Humanities 123 <---- (general Subject) class....From the Renaissance to the 20th century, how important is creating something *****new***** in art? Is there more or less originality from ca. 1400-present? Or is it about the same? If art references the past in a negative way, does this truly represent originality? What are some *****new***** ideas, things, techniques or places that are depicted in art during these centuries?
This above is the questions that need to be answered throughout the paper. Give two examples from each power point I (Renaissance Art power point, Mannerism, Baroque, Rococo Ar power points, Modern Art 1 and 2 power points) send to you please, to answer these questions above *****
How to Reference "What Is New in "Art" Term Paper in a Bibliography
“What Is New in "Art.” A1-TermPaper.com, 2011, https://www.a1-termpaper.com/topics/essay/modern-art-old-wine/8364144. Accessed 5 Oct 2024.
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