Essay on "Jazz Styles Analysis "Blues After Dark" Dizzie"

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Jazz Styles Analysis

"Blues after Dark"

Dizzie Gillespie's "Blues after Dark" is a striking example of the concert takes place in Belgium in 1958. It was set in a dark venue, where the true highlight is on the musicians, with no distractions in terms of other stimulus present on stage. This is obviously a later performance from Dizzie Gillespie, as it is much different than the more up beat and complicated melodies found in some of his earlier Bebop classics. Instead, this song represents a much Cooler sound.

The whole darkness of the set ads to the strikingly slow and mysterious beat. There seems to be a great sense of intimacy, as solos tend to blend seamlessly into one another. Each of the artists decisions are carefully made with the entire company in mind. The main featured artist here is Dizzie Gillespie on the trumpet, but he is joined with Sonny Sitt on the tenor saxophone, Lou Levy on the piano, Ray Brown on the bass, and Gus Johnson on the drums. The horns open the song, set by a slow, light piano rhythm. The rhythm section here provides the low tones that walk the song forward, as the horns seem to scatter around in terms of harmony, rising and falling with sections. Gus Johnson lightly brushes the drums to provide a mid-tone rattle, while Lou Levy and Ray Brown generate a low tone melody that counters the sharpness of the horns. The bass provides a beat at a low tempo to help provide substance to the piano's depth against the horn section. The piano itself has a relatively slow tempo, which is offset by the rising and falling of the harmony dominated by the horns.

Essentially, the horns play high pitch notes, and are a
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n example of syncopation, where a weak beat, as set by the piano, is overcome by a much stronger harmony, in this case the horns. The horn section pushes out a pulsating beat that rises melodically up and down. Sonny Sitt on the tenor saxophone provides the low pitches of the horn section's harmony. This is then contrasted with the higher pitch of Dizzie Gillespie's trumpet. Together, they generate a very melodic harmony that represents a number of different pitches that blend together. Even their solos are countering each other, so close compared to the deepness of the rhythm section, but so very different at the same time. Dizzie's trumpet helps carry the melodic role of the song, as typical for trumpets since their inception since their military birth. Dizzie Gillespie's solo is especially notable. He picks up the speed of the tempo dramatically and generates a much more optimistic and light beat compared to the general slow and mischievous rhythm set in its standard. The fast paced change in the beat Dizzie focused on was impressive, yet it did not sound off compared to the low laying melody of the rest of the company. It is a remaining glimpse of his more complex and fast paced Bebop melody set against a much cooler rhythm section. First solo is Dizzie Gilespie, followed by Sonny Sitt on the saxophone. Then, the rhythm section finishes out the solos in a much cooler fashion. Eventually, the two horns return with the same harmony that opened the song.

"On the Sunny Side of the Street"

Again, there is Dizzie Gilespie on the trumpet, Sonny Sitt on the tenor sax, Ray Brown on the bass, Lou Levy on the piano, and Gus Johnson on the drums. The concert is again taking place in Belguim in 1958, right after the 1957 release of Sonny Side Up. The same dark and intimate venue that is seen in "Blues After Dark" returns, yet it does not match the tempo of "On the Sunny Side of the Street" nearly as much. This is probably because the song is a Louis Armstrong song, and thus does place a large weight on the individual performances.

The musicians have different roles, this time around. There is still an interesting example of call and response occurring between the trumpet and tenor saxophone. Sonny first places the call, loud and deeper than Dizzie Gillespie's answer on the trumpet. The two exchange… READ MORE

Quoted Instructions for "Jazz Styles Analysis "Blues After Dark" Dizzie" Assignment:

LONG LISTENING ASSIGNMENT FORMAT

For this assignment, you will watch specific videos on YouTube (or on a DVD that is on reserve at the Douglass Room on the 3rd floor of the Knight Library) and report on what you see and hear. These are movies of a jazz concert and utilize many of the techniques of jazz that we have discussed.

For the YouTube URLs, see below for individual songs.

For the DVD at the Douglass Room: Jazz Icons: Dizzy GillespieVIDEO DVD 01670

ï‚ŸBegin each report with the basics: the full personnel (musicians*****' names, plus all the instruments they play in the songs you*****'re reporting on), and where and when the concert took place (if you don*****'t know more, at minimum: country and year). Set the scene. I highly recommend that you access this Web site for more information on this performance: http://www.jazzicons.com/ji_gillespie.html

ï‚ŸThen report on what you heard and saw for the four exact songs specified in the assignment. Use terms from class to describe the styles of each song (for example Early Jazz, Swing Era, Bebop, Modern Jazz, Ballad, Afro-Cuban Jazz) and the roles played by each instrument for each song. Do not use *****"same as above*****"! Here are some of the instrumental roles that we*****'ve discussed so far: ride pattern, comping, walking bass, stride piano, sticks or brushes on the drums. (See your lecture notes, your textbook and its Audio Primer CD, the Basic Jazz Terms (found on Blackboard in Course Documents) and the Jazz Video Demonstrations (Blackboard).

If a musician changes instruments from one song to another, make that clear. If the trumpeter uses a mute, or if there is a vocal, or if a musician does not play on a particular song, make those clear. Make it clear if the drummer is playing with sticks or brushes or mallets or a combination. (See your lecture notes, your textbook, the Basic Jazz Terms, the Modern Jazz Comparison, and Jazz History Overview found on Blackboard (Course Documents).

Present them in the order listed:

1. *****"Blues After Dark*****" http://www.youtube.com/watch?v=f3jPpYFc4Yo

On DVD: chapter1

For *****"Blues after Dark,*****" also discuss the performance in greater detail. To the styles of each song and the roles played by each instrument (see above), add the following: a sequence of events from the beginning to the end of the chosen song. These could include: an introduction, melody statements (the *****"head*****"), solos (by which instrument, in the correct order), trading between soloists, an ending, and so forth. Then selectone solo within your chosen song to describe in more detail. State which solo you*****'ve chosen! How did the solo progress from beginning to end? Which soloist(s) heard in class did it remind you of? In your view, was the solo successful? Why or why not? What was your emotional response to it?

----------------------------------------------------------------------------------

2. *****"On the Sunny Side of the Street*****": http://www.youtube.com/watch?v=s8UEGmAvWfM

On DVD: chapter 2

----------------------------------------------------------------------------------

3. *****"Lover Man*****": http://www.youtube.com/watch?v=VY9ywcx7-bA

On DVD: chapter 3

----------------------------------------------------------------------------------

4. *****"The Blues Walk*****": http://www.youtube.com/watch?v=ondhKp0dde8

On DVD: chapter 5

----------------------------------------------------------------------------------

ï‚ŸEnd your report with a half page describing your emotional response to the overall performance. Was it pleasing to you? Why or why not? Be specific. Was there anything specific about it that you liked?

A NOTE ON PLAGIARISM: If you choose to view the videos or DVD and brainstorm with a classmate, that*****'s fine. BUT, once you sit down to type out your report, all the writing must be your own. Your data (the name of the group, the names of the songs, the names of the instruments) may be the same as another classmate*****'s data, but the actual writing of sentences must be your own. Students who submit work that involves plagiarism will receive zero on the assignment, and may face stronger discipline. Also, you are responsible for keeping your assignments confidential and not letting others gain access to them. If one student copies from another student*****'s work, both students will get zero on the assignment.

*****ƒ

SAMPLE CHECKLIST (FOR YOUR INFORMATION; THIS IS NOT MEANT TO BE PERFECTLY COMPLETE OR TAKE PLACE OF THE INSTRUCTIONS)

Full personnel (musicians*****' names and instruments)? .

Where and when the concert took place?

----------------------------------------------------------------------------------------------------------------------

1. Blues after Dark

style(s) of the piece

role(s) of piano

role(s) of bass

role(s) of drums (including sticks or brushes or mallets)

role(s) of horn players (don*****'t overlook this)

IN GREATER DETAIL:

Sequence of events: complete or incomplete?

FOR YOUR SELECTED SOLO WITHIN THIS SONG (IDENTIFY WHICH SOLO):

How did the solo progress from beginning to end?

Which soloist(s) heard in class did it remind you of?

Was the solo successful? Why or why not?

What was your emotional response to it?

2. On the Sunny Side of the Street (do not use *****"same as above*****")

style(s) of the piece

role(s) of piano

role(s) of bass

role(s) of drums (including sticks or brushes or mallets)

role(s) of horn players (don*****'t overlook this)

3. Lover Man (do not use *****"same as above*****")

role(s) of piano

role(s) of bass

role(s) of drums (including sticks or brushes or mallets)

role(s) of horn players (don*****'t overlook this)

4. Blues Walk (do not use *****"same as above*****")

style(s) of the piece

role(s) of piano

role(s) of bass

role(s) of drums (including sticks or brushes or mallets)

role(s) of horn players (don*****'t overlook this)

----------------------------------------------------------------------------------------------------------------------

CONCLUSION:

Emotional response to the overall performance:

Was it pleasing to you? Why or why not?

Specific?

Half page?

Overall: Checked spelling and grammar?

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