Essay on "Dulce, Siempre (Sweetness, Always), Pablo Neruda Employs"

Essay 4 pages (1197 words) Sources: 0

[EXCERPT] . . . .

Dulce, Siempre" ("Sweetness, Always"), Pablo Neruda employs several poetic devices to convey a central theme about simplicity. Neruda weaves evocative imagery, extended metaphors, and alliteration into a poetic tapestry. The titular sensation of sweetness remains the anchor holding together the free verse. Moreover, the structure of the poem and its voice are highly personal. The poet establishes a direct connection with the reader, and therefore embodies the main message of "Sweetness, Always." Therefore, "Sweetness, Always" perfectly parallels the narrator's notion that art should be about the simple expression of emotion and not about the gratification of the ego.

The first stanza of the poem includes several rhetorical questions, with the opening line, "Why such harsh machinery?" (line 1). The rhetorical questions establish a personal tone that remains throughout the poem. Moreover, the speaker summarizes the point-of-view that poems are about "the happenings / and people of every day," (lines 2, 3). Poems should speak directly to the reader just as the narrator does in "Sweetness, Always." Poems that are "dressed up in gold" or in "old and grim stone" are out of reach of most readers (lines 4, 5). Imagery of gold and "grim stone" suggests that the poet who uses language that is too lofty misunderstands the meaning of poetry, which is to inspire and sweeten lives. To be "dressed up in gold" suggests that poets often embellish their ideas with language that is inaccessible to the average reader. Therefore, the first stanza of "Sweetness, Always" establishes the theme of poetry being an egalitarian, universal art form.

The second stanza of "Sweetness, Always" develops the m
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ain themes. In the second stanza, Neruda also dives into a realm of evocative imagery that enlivens the poem. The poet also employs alliteration to add lyrical depth. For example, the first few lines of the stanza read, "I prefer verses of felt or feather / which scarcely weigh, soft verses," (lines 6, 7). The narrator uses the first person, thus continuing the personal tone of the poem. "Felt or feather" is an alliterative phrase that complements the tangible imagery of both felt and feathers. Furthermore, the passage also serves as a metaphor because both felt and feathers are light and soft. The imagery contrasts with the "harsh machinery" of the first stanza, as the narrator suggests that poems should feel as good as items that are soft, light, and gentle. The narrator extends the softness metaphor to a mundane object used each and every day: a bed. A bed is not only a place of slumber but also a place of love-making: the "intimacy of beds / where people have loved and dreamed," (line 8). Finally, the second stanza concludes with the narrator's strong stance on the purpose of poetry: "I prefer poems stained / by hands and everydayness," (lines 10, 11). The word "stained" directly refers to the bed imagery, as love-making leaves stains in a bed. Neruda deliberately uses dirty diction to underscore the message about making poems more mundane and accessible to the everyday reader.

The third stanza begins the central extended metaphor of sweetness. As a flavor, sweetness is something that all human beings can relate to. Sweetness is also a metaphor, used commonly in the language of love. The poet blends the two concepts of sweetness and love throughout the third stanza. The metaphor of sweetness is also used to suggest that poems should be as direct, simple, and unassuming as pastry "that melt / into milk and sugar in the mouth," (line 12). To suggest that poems should be sweet does not infer… READ MORE

Quoted Instructions for "Dulce, Siempre (Sweetness, Always), Pablo Neruda Employs" Assignment:

Analyze one or more of the elements that is presented in the poem *****"Sweetness, always*****" by Pablo Neruda. The elements are: voice, tone, theme, setting, imagery, figures of speech, metaphor and simile, symbol, myth, allusion, and structure. This is an example of how it should look like: http://www.ayjw.org/articles.php?id=630422.

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