Term Paper on "Cubism -- How it Shapes the Art"

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Cubism -- How it shapes the art of today, how it creates the shape of my art today

According to the popular Internet art encyclopedia, 'Artcyclopedia,' the Cubist movement in art developed between the years of 1908 and 1912, amongst a small colony of European artists. The early Cubist's main influences were said to have been Tribal Art, as prefigured in the works of the post-impressionist Paul Cezanne. (Artcyclopedia, 2005) Unlike these earlier artist's works, however, which still had recognizable, realistic forms, in Cubist paintings the subject matter was broken up, analyzed by the painter, and then reassembled in an abstracted form of shapes and stark designs.

There are two distinct Cubist styles. The first movement in Cubism was known as Analytical Cubism. Analytical Cubism used geometrical forms and very dull colors, often blacks and whites. The second phase, known as Synthetic Cubism, used more decorative shapes, stencilling, collage, and brighter colors The Spanish painter Pablo Picasso and the French painter Georges Braque initiated the synthetic Cubist part of the movement. They said they were following the advice of Paul Cezanne, who said artists should treat nature "in terms of the cylinder, the sphere and the cone." (ArtLex, 2005) But although the shapes were simply, they were used in striking ways, through design, to create startling images. What was central to Cubism was "the juxtaposition or combination, in a single painting, of radically different and discontinuous perspective schemas or viewpoints." (Cottington, p.41) Everything is simple in line in Cubism, yet striking in design.

This philosophy is one of the reasons that Cubism still

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exerts a profound influence in the illustrator's art, even though according to ArtLex, its influence has waned somewhat in painting in the 20th century. Cubism is simple and clear-cut in its use of shapes and colors, yet by reducing images to their most essential elements; an eye-catching design can be created for the gazer. In fact, during the early Cubist Braque and Picasso brought recognizable used many illustrative features in their paintings. "During their stay in Ceret, from 1911 to 1913, these artists "used letters, fragments of words, musical notes, then significant material elements," in creating collages and works of art, even " sand or sawdust which create relief...and to make the picture more physically an object." (Art Lex, 2005) This creating of a crafted material, rather than a self-consciously object of 'high art' was also essential to the movement. (Antliff & Leighton, p.4)

The first Cubist painting is largely considered to be by Pablo Picasso's first, formative abstract work entitled " Les Demoiselles d'Avignon," a 1907 oil on canvas, that was influenced not only by the paintings by Paul Cezanne and by the fauvists, but also by real African sculptures. The subjects of this picture were not 'good' women of the city of Avignon, but prostitutes of a street named Avignon. This choice of subject matter also marked a radical break of Picasso with what was considered to be appropriate subjects for art. "Little in their previous acquaintance either with Picasso's painting or that of… READ MORE

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Quoted Instructions for "Cubism -- How it Shapes the Art" Assignment:

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I currently go to art school and I need an essay of 1000-1500 words (double spaced with 1inch margins). Academic level of this essay should be ESL because I'm an international student. I also would like to ask the *****, *****, to write my essay.

This is the description of the essay topic.

The language of our artistic practice is under constant revision and debate. When the term "Impressionist" was coined to describe the work of a group upstart French painters, few could have imagined it would become a style to which generations of painters would aspire. Similarly, "Cubism" was a dismissive term applied to works whose underlying geometric structure seemed garish and obvious, while the contemporary "Fauve" painters were derided as "wild beasts."

Based on research, you are to synthesize a working definition of some formal property of your field. You are to articulate points of contention around its use and finally declare your understanding and position with regard to the idea you discuss. your final paper will be a form of manifesto of the term for your own practice at this time.

You examine the meaning of a term of art in your field of study. You should analyze its use in the work of other artists and in writing about the history and practice of your craft. You should use no fewer than three examples, and should arrive at a conclusion about the way you believe the term you've selected ought to be understood.

You must site no fewer than 5 sources to build your case, of which, at least 3 must be print sources. Suggested sources include dictionaries, glossaries, lexica, and interviews with artists or *****s, biographical profiles, criticism and similar materials.

These are my information.

I go to art school and am majoring in illustration. But I still dont know what style of illustration I will be focusing on and what syle of illustration I have right now. Im still searching for what I really want to do and what style of drawing I like to do. Since I have learned Cubism in school, I am interested in this paticular style of drawing. As I also learned about Picaso's cubism style works, I tried to express my art work through cubism. I mostly worked with black charcole pencile on the white paper or a collage that is like how picaso used to create the cut out images or even objects put them together with cubism style. I really like to continue working with this style, however, Im still tring to test myself to see what else I can do to expand my own artistic expressions and skills through the cubism style.

p.s. I also need a good title and cite of all sources that you used with MLA style.

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