Term Paper on "Concert Review Program Under Review Overture Die"
Term Paper 4 pages (1198 words) Sources: 4
[EXCERPT] . . . .
Concert ReviewProgram Under Review
Overture Die Entfuhrung as dem Serial -- W.A. Mozart (1781)
Adagietto, Symphony Number 5 - Gustav Mahler (1901-1902)
Piano Concerto #2 in G minor, Op. 22 -- Camille Saint-Saens (1868)
Symphony #6 in a Major -- Anton Bruckner (1881)
Concert Review Matrix
Piece
Form
Sound
Rhythm
Tempo
Texture
Ensemble
Classical Era
Clear texture, vivacious
Quick with small c-minor adagio section
Alters between 4 and 6 bar phrases
C-Major, bright, cherry
Classical orchestra
Romantic
Multi- faceted and complex counter- point -major
Common time, alternating theme under arpeggios chords
Sehr langsam (Very slowly)
Rich and tonal with lots of string choral work
Large, full orchestra for entire work, less brass and percussion during 4th movement
Romantic
Varied depending on movement and solo -- orchestral dialog
4/4 and resulting variations on theme
Andante, Allegro, Presto
Varied, from classical baroque to more modern
Medium orchestra (only 2 horns, 2 trumpets, percussion) no trombones or tuba or extra winds; w
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Romantic
Varied, from soft to loud based on theme and movement
Varied, changes occur within movements as well
Varied, from majestoso to Adagio to Scherzo
Rich full orchestral with some wind and brass choir work; solos vs. tutti
Large full symphony orchestra
Narratives
Part 1 - Overture Die Entfuhrung as dem Serial -- W.A. Mozart (1781). During the late 18th century, things "oriental" began to fascinate the upper classes in Europe. The opera, the Abduction from the Seraglio, is a comedy by W.A. Mozart. The piece is relatively short, and is bright, cheery, and alternates between 4- and 6- bar phrases that make up some of the major themes of the opera. In this case, Mozart added a piccolo, bass drum, triangles and cymbals to make the work appear more "Turkish." The piece is classical in form and style, is relatively stable in terms of dynamics, is quick with a number of scales and arpeggios for the strings. The piece is not very layered or textured, but it sets the audience up for the opera. When performed as a stand-alone piece, it is a great opener due to its happy and vivacious scoring. And use of the standard sonata format. This theme, begins softly, but by bar 9 has the entire orchestra and percussion joining to paint a picture of a far off land.
The piece is pleasant, rather whimsical and fun and perhaps emulates the mood of the composer at the time because there are no dark and brooding moments in the piece. Interestingly enough, the composition of the piece coincided with Mozart's marriage (Melograni, pp. 147-9).
Part 2 - Adagietto, Symphony Number 5 - Gustav Mahler (1901-1902) -- of all Mahler's works, the Adagietto is the most often performed; whether by orchestra or ensemble. It was performed during Robert Kennedy's funeral, various solemn state occasions, the 1971 film Death in Venice, and even used in the Winter Olympics as an ice-skating routine. While Mahler marked the tempo to be "very slow, his recording of the pieces is about 7 minutes, while Leonard Bernstein and some of the modern interpretations last 10-12 minutes. The piece can only be described as layers upon layers of musical lushness. The piece begins with the strings layering an F-Major chord until the bassoon enters with the theme:
It is this haunting theme that outlines the entire piece, moving further up in the bassoon's register to almost a "crying" or pining tonality that makes the piece perfect for funeral or solemn occasions. Unlike the rest of the 5th Symphony, this movement layers instruments based on their tonal production, not size and volume.… READ MORE
Quoted Instructions for "Concert Review Program Under Review Overture Die" Assignment:
“Symphony formal analysis.
So we had to attend this symphony and provide a formal analysis. I have included the performance numbers as well as guidelines for the analysis and have attached the pages from our book to follow. Please keep each section separate from one another and answer every question within each section.
PERFORMANCE TO INCLUDE:
Overture to Die Entführung aus dem Serail - Mozart
Adagietto from Symphony No. 5 - Mahler
Piano Concerto in G minor, Op. 22 Saint-Saens
Symphony No. 6 in A Major, WAB 106 Bruckner
SECTIONS
Form: Is it classical? In what ways does the performance identify the form of the selection? (variety or unity pg 89 for example)In what specific ways does the selection meet the characteristics of that form?
Sound: How does the piece explore dynamics? How using specific musical terms-for example, pianissimos, forte, and so on- would you describe the progression of the piece from beginning to end? In what ways does the piece explore tone color?
Rhythm: What is the meter of the piece? Do nay changes occur? If so where and how?
Tempo: In what ways does the tempo of the piece effect your response? How, using the specific musical terms like largo, andante, moderato, presto, and so forth - would you describe the progression of the piece from beginning to end?
Texture: What textures does the piece explore? Where do changes in texture occur if at all?
Ensemble: What kind of ensemble played the piece? Did its size have any effect on the way in which you listened to and perceived the piece?
Reaction: How do the previous elements combine to create a reaction in you? What drew your attention? What was your emotional response to the piece, and what causes the emotional reaction?
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How to Reference "Concert Review Program Under Review Overture Die" Term Paper in a Bibliography
“Concert Review Program Under Review Overture Die.” A1-TermPaper.com, 2012, https://www.a1-termpaper.com/topics/essay/concert-review-program/2464904. Accessed 28 Sep 2024.
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