Term Paper on "Coleridge & 18 Thcent.Tradition Samuel Taylor"
Term Paper 4 pages (1523 words) Sources: 1+
[EXCERPT] . . . .
Coleridge & 18 thCent.TraditionSamuel Taylor Coleridge's Rebellion against 18th Century Neo-Classical Tradition in Poetry
Samuel Taylor Coleridge (1772-1834), along with his contemporary and artistic peer William Wordsworth, is credited with ushering in, during the final years of the 18th century and the first decades of the 19th, the Romantic tradition in English poetry, a departure from18th century Neo-classicism as embodied within works by Pope; Dryden; Swift; Johnson, and others.
As Moore observes, for example:
Coleridge and Wordsworth inspired each other to new heights of achievement.
In 1798 they jointly published Lyrical Ballads, considered one of the most revolutionary volumes in English verse. During their years of close friendship,
Coleridge wrote his greatest poetry, including "The Rime of the Ancient
Mariner," "Kubla [sic] Khan," and "Frost at Midnight." (p. 10)
In essence, along with Wordsworth and others Coleridge rebelled substantively against Neo-classical 18th century poetic formalistic and moral traditions, as may be clearly observed in parts of both his Kubla Khan (1816) and his The Rime of the Ancient Mariner (1798). Further, as Zuk points out ("Coleridge's Blank Verse"), Coleridge is the father of blank verse within British Romantic (and other, later) poetry.
Eighteenth century British poetry characteristically features Neo-classical forms, and themes. Echoes of works by Roman satirists Horace and Juvenal appear, often in combination, in various early eighteenth-century (Augustan) satirical w
download full paper ⤓
Within Pope's The Rape of the Lock (1714), (mock) epic tragedy and heroic couplets give that poem a distinct Neo-classical form, inflecting syllogistic progression and content. In contrast, within both Coleridge's Kublai Khan (1816) and his Rime of the Ancient Mariner (1798), a revival of the ballad form, e.g., short lines; quatrains; and blank verse, are instead readily apparent.
In terms of poetic voice, 18th century Neo-classical subjects are, in general, relatively detached, and therefore less impressionistic, emotionally rendered, and personal to the poet. In contrast, 19th century Romantic poetry subjects are considerably more impressionistic, emotionally wrought, and personal. Within 18th century Neo-classicism, poetry often features mainstream experiences and values, and moralistic tones. (Byron even called Pope 'the moral poet of all civilisation', qtd. In Nokes, 99). In contrast, Romantic poetic characteristics, as evident in Coleridge's Kublai Khan (1816) and Rime of the Ancient Mariner (1798) are often mysterious and omniscient, even reverting sometimes to the coincidental and uncanny, rather than (as 18th century Neo-classical poetry typically does) adhering to strict forms and epic-like progression and predictability.
As for subject matter, 18th century Neo-classical tradition generally concerns itself with moral values; social realities, and mainstream experiences, within not only works like Pope's The Rape of the Lock (1816), but others like Wordworth's Tintern Abbey (1798). Compared against such neo-classical works, Coleridge's Kublai Khan (1816) and Rime of the Ancient Mariner (1798) make use of descriptions of the sublime through nature; of sexuality, and of the unconscious, themes largely unexplored within 18th century British Neo-classical poetry.
According to the web article "Romanticism" (Wikipedia, April 3, 2005):
Some scholars see romanticism as completely continuous with the present, some see it as the inaugural moment of modernity, some see it as the beginning of a tradition of resistance to the Enlightenment, and still others date it firmly to the direct aftermath of the French Revolution. The topic is complex enough that most characteristics taken as defining Romanticism have also been taken as its opposite by different scholars.
In terms of Coleridge's own expressions of early Romanticism, however, it is clear, within the opening lines of Kublai Khan, with its impressionistic free-verse approach, that Coleridge is anything but wedded to the relatively Neo-classical forms and traditions of Enlightenment era poetry:
In Xanadu did Kubla Khan stately pleasure-dome decree:
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea.
So twice five miles of fertile ground
With walls and towers were girdled round:
And there were gardens bright with sinuous rills,
Where blossomed many an incense-bearing tree;
And here were forests ancient as the hills,
Enfolding sunny spots of greenery. (Lines 1-11)
To see differences between Coleridge's Romanticism and the Neo-classicism of Pope (for example) one may compare the first 11 lines of Coleridge's Kublai Khan (1816), with its ragged rhyme scheme (ABAAB; CCDBDB) and impressionistic phrasing (e.g., "gardens bright with sinuous rills" (Line 8); "Enfolding sunny spots of greenery" (Line 11)) with the first 12 lines of Pope's The Rape of the Lock (1714):
What dire offence from am'rous causes springs,
What mighty contests rise from trivial things, sing -- This verse to Caryl, Muse! is due:
This, ev'n Belinda may vouchsafe to view:
Slight is the subject, but not so the praise,
If she inspire, and he approve my lays.
Say what strange motive, Goddess! could compel well-bred lord t' assault a gentle belle?
A say what stranger cause, yet unexplor'd,
Could make a gentle belle reject a lord?
In tasks so bold, can little men engage,
And in soft bosoms dwells such mighty rage?
Within these initial lines of The Rape of the Lock (1714), Pope's rhyme scheme (AABBCC; DDEEFF) is considerably more even and predictable. Further, even Pope's more impressionistic lines (e.g., "in soft bosoms dwells such mighty rage" (Line 12), are classically-contained metaphors, not mere descriptive phrases.
Further, in considering epic-like structure and progression within Coleridge's The Rime of the Ancient Mariner (1798), the language of many of the poem's stanza's is surprisingly matter-of-fact and unembellished. Consider' for instance, Coleridge's third and fourth stanzas from this poem:
He holds him with his skinny hand, 'There was a ship,' quoth he.
'Hold off! unhand me, grey-beard loon!'
Eftsoons his hand dropt he.
He holds him with his glittering eye
The Wedding-Guest stood still,
And listens like a three years' child:
The Mariner hath his will.E [Emphasis added] (Lines 9-16)
Within Kublai Khan (1816), Coleridge also syntactically and impressionistically exaggerates emotion, for effect, in describing the 'chasm' in line 14, e.g., "A savage place." Arguably, the woman referred to in the third stanza of this poem is Eve from Genesis, 'wailing' for "her demon lover" (perhaps the forbidden fruit that caused her to be jettisoned from paradise). Within Rime of the Ancient Mariner (1798), an old mariner who has killed an albatross, and his shipmates, suffer together what comes to be seen, again impressionistically, and with similar, frequent exaggeration of emotion (e.g., "A weary time! A weary time! (Part III, Stanza 1, Line 3); "Fly, brother, fly! more high, more high!" (Part IV, Stanza 5, Line 1) as the revenge of the albatross on the high seas.
Coleridge's legacy to poetry is a vast one: along with Wordsworth, Coleridge ushered in the era of British Romantic poetry, strongly influencing later British Romantics like Keats, Shelley, and Byron, as well as later poets of the United Kingdom and elsewhere. Perhaps most importantly, however, Coleridge originated blank verse in poetry (Zuk). Elements of Romantic poetry, e.g., impressionism; free verse forms, and personal expression, so different than those that exemplify 18th century Neo-classical poetry, have carried over into modern (e.g., Pound; Eliot) and post-modern (e.g., the "Beat Generation"; Ted Hughes; Billy Collins) poetry.… READ MORE
Quoted Instructions for "Coleridge and 18 Thcent.Tradition Samuel Taylor" Assignment:
> Specific guidelines: My outline for this essay was as follows:
> The 18TH Cent.,the age of enlightment and the restoration is the
> era of neo-classical poetry ranging from 1660 to 1785. notable
> poets from this era are Dryden, Swift, Pope and Johnson.Then into
> the 19th Cent., the Romantic period datin g from 1785 to 1830.
> Some of the notables from this time are, Blake, Wordsworth,
> Coleridge, Byron,Shellyand Keats.Poetic style and form changed
> radically and one of the major contributors to this change was
> Samuel Coleridge, who rebelled against the 18th Century Neo-
> classical tradition through form, voice and subject matter.
>
> Body 1:
> Form: In the 18th cent.tradition, for example, Rape of the
> Lock,has epic tradegy, satire and heroic cuplets, whereas the
> Romantic's hace as evident in Kublai Khan, the revival of ballad
> form, short lines, quantrain and blank verse.
>
> Body 2:
> Voice: The 18th Cent, subjects were impersonal, used
> mainstream experiences and values and moralistic in nature, to
> mention a few characteristics while the Romantic's, as evident in
> Kublai Khan were mysterious, omniscient and also reverting to the
> uncanny.
> Body 3:
> Subject Matter: For the 18th Cent. poetry moral
> values,social reality and mainstream experiences as evident in
> Pope's Rape of the Lock and onto Romantic era with Wordworth's
> Tintern Abbey and again Kublai Khan where it uses the sublime
> through nature, sexuality and the unconscious which were not too
> popular with 18th Cent. poets.
>
> In conclusion Please explain some of Coleridges legacy to poetry
> and how its effected poetry since then.
How to Reference "Coleridge and 18 Thcent.Tradition Samuel Taylor" Term Paper in a Bibliography
“Coleridge and 18 Thcent.Tradition Samuel Taylor.” A1-TermPaper.com, 2005, https://www.a1-termpaper.com/topics/essay/coleridge-18-thcenttradition-samuel/483491. Accessed 5 Oct 2024.
Related Term Papers:
Samuel Taylor Coleridge Term Paper
Samuel Taylor Coleridge
During Samuel Taylor Coleridge's lifetime, the critics were at best dismissive and at worst harsh and cruel. However, as reviewed by scholars in the 20th and 21st… read more
Term Paper 4 pages (1277 words) Sources: 5 Style: MLA Topic: Literature / Poetry
Samuel Taylor Coleridge's Christabel Term Paper
Samuel Taylor Coleridge's "Christabel"
Gothic Elements of Samuel Taylor Coleridge's "Christabel"
In the early 19th century, the Romantic writers introduced fantastic elements into their writing, which soon become its own… read more
Term Paper 3 pages (1037 words) Sources: 1+ Topic: Literature / Poetry
Coleridge and Clare Thesis
Coleridge's "Kubla Khan" and "The Pains of Sleep"
Diving in to the poem, however, what key phrases or even single words work to create the dark mood of the gothic?… read more
Thesis 2 pages (743 words) Sources: 0 Topic: Literature / Poetry
Clash of Civilizations Samuel P. Huntington's Book Term Paper
Clash of Civilizations
Samuel P. Huntington's book the Clash of Civilizations and the Coming of the New World Order emerged from an essay he wrote in the journal Foreign Affairs… read more
Term Paper 7 pages (2233 words) Sources: 4 Style: APA Topic: Religion / God / Theology
Tradition in General. Tradition as it Applies Essay
tradition in general.
Tradition as it applies to these stories
The strength of a community depends on tradition, though it can be a healing or a destructive force
Ultimately, it… read more
Essay 2 pages (889 words) Sources: 1 Topic: Religion / God / Theology
Sat, Oct 5, 2024
If you don't see the paper you need, we will write it for you!
We can write a new, 100% unique paper!