Thesis on "Classical Musical Performance Review and Reflection Witnessed"

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[EXCERPT] . . . .

Classical

Musical Performance Review and Reflection witnessed a performance on August 29, 2008 of the musical group known as the "Cosmos Trio." The Cosmos Trio was founded in 2004 by Katherine Borst-Jones, Mary Harris and Jeanne Norton. These three performers have dedicated themselves, both in their work as members of the Pro-Musica Chamber of Columbus, Ohio and in the context of the Cosmos Trio to exposing a new generation of young people to classical and contemporary orchestral and chamber works. At the performance I witnessed, this orchestral grouping of a flute, viola and harp performed a series of contemporary classical works, most of which were designed for their unique combination of instruments. The performance consisted of a series of short pieces by American, mostly local or Midwestern composers of a variety of backgrounds. Most of the composers did not confine or even focus on the medium of chamber music in their usual framework of compositions, but rather specialized in larger, orchestral sounds. Over the course of the respectfully-received performance they played four works: the "Petite Suite" (2007), a work known as "Beautiful, Sweet, Delicate for Flute, Viola, and Harp" (2005), "Trio in Four Movements for Flute, Viola and Harp" (2006), and "A Columbus Triptych" (2006).

The first of the works, the "Petite Suite," was specifically composed for Cosmos Trio's unique blend of instruments and instrumentation by Stephen Paulus in 2007, one of the most noted composers of modern operas and choral works amongst young composers focusing on classical sounds today. Paulus is evidently proud of the work, as he features the "Petite Suite" played by the Trio on his webpage of
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accomplishments. The "Petite Suite" has dreamy, comforting tones with a less rigid and structured sense of composition than a classical or baroque work for an orchestral group, and has a kind of fantastic, otherworldly quality that is almost unearthly when heard in a concert hall. Paulus as a composer is most famous for his operatic version of the 1950s film "The Postman Always Rings Twice," and his fluency in the genre of orchestral composition as well as grand opera speak to his skill as a composer as well as a boundary-pushing operatic maestro ("Biography," Stephen Paulus, 2008).

The second work entitled "Beautiful, Sweet, Delicate," was first performed by the Cosmos Trio in 2006. It was commissioned from Andrew Boysen, Jr. Boysen is noted for his prodigal talent -- he began composing for piano at age nine and is especially noted for his works for high school concert bands and brass choirs and ensembles as well as full orchestras. "Beautiful, Sweet, Delicate" is thus something of a departure for Boysen, who usually specializes in works for large, brassy-sounding school bands. "Beautiful, Sweet, Delicate" is a delicate sounding piece, as befitting its name, standing in presumed contrast to Boysen's other works although not to the first "Petite Suite" that preceded it during the concert (Klein 2008).

Cosmos Trio is especially proud of "Trio in Four Movements for Flute, Viola and Harp" by Libby Larsen, which was commissioned and premiered in 2006. Larsen is a noted modern classical composer, and according to the website of the group, which sees fit to boast her involvement in their endeavors. Larson has composed more than 200 works spanning virtually… READ MORE

Quoted Instructions for "Classical Musical Performance Review and Reflection Witnessed" Assignment:

Classical music bibliography paper on Cosmos Trio. A flute, viola and harp group founded in 2004 by Katherine Borst-Jones, Mary Harris and Jeanne Norton. The three founding musicians are all members of the Pro Musica Chamber of Columbus,Oh. On Aug. 4th 2008 I went to a concert they had at St.John's Evangelical Church in Columbus, Ohio. They played 4 works; Petite Suite(2007),Beautiful, Sweet, Delicate for flute, Viola, and Harp(2005),Trio in Four Movements for flute, Viola and Harp(2006),and A Columbus Triptych(2006) Prof.'s Requirements:Please cite the orchestra (Trio)time and place of the performance. When citing program notes use your own words whenever possible. Begin paper with the facts. Introduce the composer and the style and outline carefully the major elements or characteristics of that style. The first half of paper should focus on the composer and the style. At this point you should not yet have discussed the performance. Second part begin to describe the music heard and interpret the movements or other divisions of the composition. Then identify the features that made it baroque,classical, etc... Finally add your own experience of the music. Include a bibliography of at least 3 sources other than the textbook and art class notes at the end of the paper.

How to Reference "Classical Musical Performance Review and Reflection Witnessed" Thesis in a Bibliography

Classical Musical Performance Review and Reflection Witnessed.” A1-TermPaper.com, 2008, https://www.a1-termpaper.com/topics/essay/classical-musical-performance-review/97180. Accessed 27 Sep 2024.

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1. Classical Musical Performance Review and Reflection Witnessed. A1-TermPaper.com. https://www.a1-termpaper.com/topics/essay/classical-musical-performance-review/97180. Published 2008. Accessed September 27, 2024.

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