Research Proposal on "Bollywood in Search of the Ideal India"

Research Proposal 6 pages (2047 words) Sources: 2 Style: APA

[EXCERPT] . . . .

Bollywood

In Search of the Ideal India

Bollywood has become one of the world's biggest producers of films. Bollywood represents Indian national ideals, portraying and idyllic picture of what Indian culture is supposed to look like. These films utilize gender, class, and religion to paint their picture of a "perfect" India. However, often this image is marred by negative images through the direct representation of a "bad" or corrupt nation. It also uses indirect references as to what lies outside of the ideal Indian image. This essay will explore this problematic representation of the "other" India in the films Shri 420 and Roja.

Deconstructing the Ideal

The first task that needs to be undertaken in addressing the issues of negative images of India in Bollywood films is to define exactly what the ideal image of India entails. In order to accomplish this task, we must examine the central themes of the film and determine how they relate to traditional Indian roles and attitudes. The central theme of the film Roja, is the theme of love. It revolves around one man's love of his country and a wife's love of her husband. Many traditional Indian customs regarding love, marriage and the family can be found within the film.

The main character, Roja, is a girl from a small village. She wishes for a top cryptologist, Rishi Kumar to accept a proposal to marry her sister. However, Roja's sister is in love with someone else. The surprise twist comes when Rishi asks Roja's hand in marriage. Roja is unaware of her sister's other lover and refuses Rishi's hand, because she feels that her sister is a better match. Her parents
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pressure her to marry him and they move out of the village for the city. In the beginning, Roja is angry with Rishi for rejecting her sister, but she later finds out the truth about her sister's other lover and decides to join Rishi. They fall in love and make a happy life together. Roja's unselfish concern for her sister demonstrates her character and dignity, which are important virtues for Indian women. Roja demonstrates a traditional connection with her husband, remaining faithful and true to him. Roja is an example of the ideal Indian woman.

When Rishi is kidnapped, Roja's is crushed. She once again, demonstrates the qualities of a virtuous Indian wife by pleading to the government and military officials for help. Roja is intelligent and strong, yet completely faithful to her husband. Her husband is devoted to the service of his country, so much that he gave his life to preserve its honor in the end. Rishi is of generally nonviolent by nature, but will fight if it is the only way out of a situation. Roja paints the ideal India, and demonstrated the nationalism and traditional roles that embody India during the struggle over Kashmir.

Shri 420 demonstrates the ideal India through contrast. Like Roja, Raj is a country boy who travels to the big city. He falls in love with a poor, but otherwise virtuous woman, Vidya. However, Raj soon goes bad under the influence of an unscrupulous businessman, Seth. Raj is also tempted by the seductress, Maya. Raj takes on the life of a swindler, otherwise known as a "420." In this role, Raj demonstrates what the ideal Indian means by what he it not. He eventually sees the error of his ways and decides to change. He later becomes a good man. Shri 420 tells us what is right in India by telling us what is not.

Shri 420 focuses on the negative side of Bombay. Raj sings song about the zest for life, even in the face of poverty. This song demonstrates the unimportance of material things to the spiritual life. The proper Indian man and woman would fall in love, get married, and settle down into a home. That is exactly what Raj wishes to do with Vidya. He wishes to settle down and make a home. Raj attempts to make an honest living working at a laundry. This paints a picture of the "desired" life of the Indian citizen. This ideal contrasts with the reality of the movie, which depicts Raj's life, which is far from the ideal of the perfect life.

Now we have a picture of what the ideal Indian life looks like. A man and woman get married. She shows faithfulness to him and he works to support the family. The interesting thing about this image is that it exists in both Roja and Shri 420. Roja was filmed in the 1990s, while Shri 420 was filmed in the mid 1950s. This demonstrates that these principals persisted over the years and that the basis for male/.female relationships has resisted the test of time. The character Roja is a little more independent than Vidya, reflecting a change in women's roles and societal expectations. From this one could glean that although women's roles and mannerisms have changed, the basic concept of a traditional family life has not.

The Negative Side of India

We now have a picture of the idyllic picture that Bollywood wishes to show the world. However, this is far from images portrayed, which reflect the "other" India, one where life is not so perfect. In Roja, the devastation of the war with Pakistan is portrayed by Roja's desperation over her husband's disappearance. The brutality of the war is shown by the torture of Rishi. In the scene where Madhu meets Wasim Khan, she asks him to leave India if he doesn't like it here, but not to kill innocent people. This is a statement about the negative feelings and lack of support for the Indian war with Pakistan.

Another issue that becomes apparent in Roja is that although the caste system has been abolished, it still exists in the minds of the people. When Nasser asks Madhu if the lives lost capturing terrorists were any less important that Rishi, Madhu replies if his answer would be the same if the captured were a minister's son or daughter. There is no answer from Nasser. This suggests that because Roja is of a lower "caste," the life of her husband is less important. In the idyllic India, the caste system no longer remains, but in the recesses of Bollywood and in real life, the caste system still effects the way in which people relate to one another. This is a negative aspect that India would rather keep quiet.

In Shri 420, Raj portrays the lure of the westernized way of life. In the end, he loses the love of his life and is betrayed by Seth. Raj becomes so materialistic that Vidya cannot bear it. She walks away from him. Raj has no problem cheating the rich, but when Seth devises a plan to swindle the poor, Raj does not wish to do it. Raj eventually cheats Seth at the advice of Maya, a seedy temptress. Raj is early swayed by materialism and appears weak in that he will follow anyone for the sake of a rupee.

Roja and Shri 420 portray the corrupt and ruthless nature of and India that many would rather stay hidden. However, if one looks at the manner in which it is portrayed, the deeper meaning of these negative images can be found. Raj is not set out as a hero, or role model, but rather a model to be avoided. The viewer finds it difficult to sympathize with Raj and his treachery. He is the perfect anti-hero. He betrays Vidya and leaves the traditional rural life to become a cheat and a thief. In the end, he does not find peace, but only trouble. The story is about how corruption destroys the promise of the perfect, idyllic Indian life.

Roja demonstrates how war and greed can destroy the lives of the common people. Both Shri 420 and Roja show the destructiveness of war and of a life of wanton abandon. They portray the negative images in comparison to the life that could have been, if the characters had taken a different path. Roja is an innocent victim of a war that is not of her choosing. She is innocent and naive. She does not understand why one life is not important in this case. Shri 420 portrays Vidya as an innocent would-be wife, suggesting the peaceful life that Raj could have had, if the choices that he made had not gone astray.

Negative With a Purpose

Roja shows the negative side of politics and the evils of war. It makes several political statements about the lives that are effected and the cold-hearted approach of the government. However, it is also patriotic and demonstrates that family principals are still important in India. Rishi is patriotic and Roja remains the faithful wife until the very end. Roja addresses several issues that were important in India during the 1990s. India was attempting to define themselves as a culture. They were concerned with the future of the Indian nation… READ MORE

Quoted Instructions for "Bollywood in Search of the Ideal India" Assignment:

Select one question. Please indicate CLEARLY which question you have selected. Give your essay a TITLE. Length*****”6 pages only.

You must reference at least 2 secondary sources from your course reader and integrate these into your essay. Write a complete citation at the end of your essay.

Essay Questions:

1.Many Bollywood films present a picture of the ideal Indian nation, often utilizing gender, class, and religion to do so. Oftentimes this image is presented in relation to its negative i.e. either through direct representation of a *****bad***** or corrupt nation, or through an indirect referencing of what lies outside of an ideal India. Explore this problematic representation of the nation*****s *****other***** in the two films Shri 420 and Roja.

2.Explore the representation of Islam and Muslims in the two films Pakeezah and Roja paying particular attention to gender. What purposes do these representations serve for the overall message of the film and its portrait of the nation?

3.Analyze how according to Kasbekar, Chakravarty and Kazmi, the woman*****s body primarily addresses the erotic gaze and yet, as stated by Chakravarty the courtesan figure can be seen as an icon of Indian womanhood that allows the nation *****to probe its own assumptions about sexuality, social mores and human growth.***** In the light of some of the analysis offered by any two scholars, discuss Sahebjan and Chandramukhi as two courtesan figures in Bollywood cinema. In your discussion you could consider the argument that while Sahebjan in Pakeezah is represented as a passive woman/victim in need of rescue, Chandramukhi in Devdas contests the privileges and entitlement of patriarchy and in particular of the landlord class?

4. Both Roja and Dilwale Dulhania Ley Jayenge (DDLJ) in different ways represent the loss of and return to an ideal authentic India that resides in the villages and in the heart. Analyze how in each film the male protagonists differently assert an Indian identity and are willing to sacrifice themselves (or their love as in the case of Raj in DDLJ) to prove their Indianness. In your discussion, briefly consider the role that the women play in this masculine assertion of Indian identity?

Guidelines for the assignments:

1. Indicate which question you are attempting

2. Give your essay a title.

3. Make a strong argument in the first paragraph of your essay.

4. The overall argument, development, content and organization of the essay are very important.

5. Number your pages.

6. Italicize the name of the film.

7. Use the filmmaker*****s last name with correct spelling.

8. Quote relevant short sentences*****” from the essays in the Course Reader*****”use original page numbers in parenthesis.

9. Cite your relevant source on a citation page at the end of your essay. This is required.

10. Your citation page need not be a separate page. You can include citations on your last page, so that you can SAVE A TREE --unless you have run out of space, in that case you can use a separate citations page.

11. Always proofread your essay for spellings. Spelling errors will affect your grade.

Course Reader

1. Heroes and Villains: Narrating the Nation--Jyotika Virdi

2. Hidden Pleasures: Negotiating the Myth of the Female Ideal in Popular Hindi

Cinema- Asha Kasbekar

3. Muslim Socials and the Female Protagonist: seeing a dominant discourse at work-- Fareed Kazmi

4. The Devdas Syndrome in Indian Cinema--P.K.Nair

5. Devadas and the Intensity of the Self--Anup Singh

6. Avenging women in Indian Cinema--Lalitha Gopalan

7. The Home and the Nation: Consuming Culture and Politics in Roja--Nicholas Dirks

8. The Diaspora Comes Home: Disciplining Desire in DDLJ--- Patricia Uberoi

*****

How to Reference "Bollywood in Search of the Ideal India" Research Proposal in a Bibliography

Bollywood in Search of the Ideal India.” A1-TermPaper.com, 2008, https://www.a1-termpaper.com/topics/essay/bollywood-search/426613. Accessed 5 Oct 2024.

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[1] ”Bollywood in Search of the Ideal India”, A1-TermPaper.com, 2008. [Online]. Available: https://www.a1-termpaper.com/topics/essay/bollywood-search/426613. [Accessed: 5-Oct-2024].
1. Bollywood in Search of the Ideal India [Internet]. A1-TermPaper.com. 2008 [cited 5 October 2024]. Available from: https://www.a1-termpaper.com/topics/essay/bollywood-search/426613
1. Bollywood in Search of the Ideal India. A1-TermPaper.com. https://www.a1-termpaper.com/topics/essay/bollywood-search/426613. Published 2008. Accessed October 5, 2024.

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