Research Paper on "Billie Holiday's "Strange Fruit"

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Research Paper 4 pages (1396 words) Sources: 10

[EXCERPT] . . . .

Doing so had a tremendous impact on the audience, and on the future of African-American music, too. As Phillips (2007) points, out, "The song was revolutionary - not only because of the explicit nature of the lyrics, but because it effectively reversed the black singer's relationship with a white audience." It could even have been considered risky for Holiday to sing the song, not just because of the obvious political connotations but also because audiences at the club expected standard lighthearted ditties, and were not expecting a serious number to finish out the night (Phillips, 2007). In spite of reservations, Holiday took command of the stage, singing a song about African-American realities in a world of institutionalized racism and state-sanctioned hatred. Her empowerment became a symbol for the future empowerment of all African-Americans.

In her autobiography Lady Sings the Blues, Holiday as she recalls the first time she sang "Strange Fruit" at the Cafe Society. "There wasn't even a patter of applause when I finished. Then a lone person began to clap nervously. Then suddenly everybody was clapping," (84). It was as if the audience was afraid to take a stand and recognize that their country had "blood at the roots." The song became Holiday's signature. She finished each night with it, in a dramatic moment as "the lights dimmed to a single spotlight, would she begin singing, with her eyes closed. Once she had finished, she would walk off stage and never return to take a bow," (Margolick).

Holiday's performance garnered her much critical acclaim as well, although there were some political problems with recording the song. Producer John Hammond of Columbia Records, with w
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hich Holiday was signed, claimed that the song was "too political," (Margolick). That was Columbia's loss and Commodore's gain, as Holiday recorded "Strange Fruit" with Milt Gabler of Commodore and the song subsequently became a huge bestseller (Margolick).

The story of "Strange Fruit" does not end there. Five years after the song was released on record, a southern white author named Lillian Smith was so moved by it that she penned a novel called Strange Fruit based on Holiday's song and more importantly, its theme. According to Margolick, the book raised awareness to the point that many racist regions banned the book, whereas more progressive regions welcomed a Broadway adaptation of the story.

It is impossible to overstate the importance of "Strange Fruit" in the history of American music and culture. Holiday's song, based on Meeropol's poem, heralded a shift in American consciousness towards the continued scourge of racism. It was no longer possible to look the other way while innocent human beings were being lynched by angry mobs. Its musical aesthetics aside, "Strange Fruit" became a cultural icon. It helped propel Billie Holiday to the fame she deserved. Holiday returned to Commodore Records, where she would record some of the most important songs of her career. She remained in control of her career, refusing to let white record producers determine what an African-American woman could or could not sing. In 1978, the Grammy Hall of Fame welcomed "Strange Fruit" into the annals of American recording history. The song is listed as a Song of the Century by the Recording Industry of America and the National Endowment for the Arts ("Strange Fruit").

References

Beitler, Lawrence. [Documentary Photograph of the Shipp and Smith Lynching]. Retrieved online: http://www.npr.org/templates/story/story.php?storyId=129025516

Blair, Elizabeth. "The Strange Story of the Man Behind 'Strange Fruit'" NPR. Retrieved online: http://www.npr.org/2012/09/05/158933012/the-strange-story-of-the-man-behind-strange-fruit

Cameron, James. A Time of Terror. Black Classic Press, 1993.

Holiday, Billie. Lady Sings the Blues. Penguin, 1992.

Margolick, David. Strange Fruit: The Biography of a Song. Harper Collins, 2001.

Margolick, David. Strange Fruit: Billie Holiday, Cafe Society, and an Early Cry for Civil Rights. The New York Times. Retrieved online: http://www.nytimes.com/books/first/m/margolick-fruit.html

Meeropol, Abel. "Strange Fruit." Retrieved online: http://acceleratedmotion.wesleyan.edu/primary_sources/texts/americanidentities/strange_fruit.pdf

Phillips, Caryl. "Blood at the Root." The Guardian. Aug 17, 2007. Retrieved online: http://www.theguardian.com/books/2007/aug/18/jazz.urban

Radio Diaries. "Strange Fruit: Anniversary of a Lynching." NPR. August 6, 2010. Retrieved online: http://www.npr.org/templates/story/story.php?storyId=129025516

"Strange Fruit." Billie Holiday.com. Retrieved online: http://www.billieholiday.com/portfolio/strange-fruit/ READ MORE

Quoted Instructions for "Billie Holiday's "Strange Fruit" Assignment:

Please write about Billie Holiday's performance of Strange Fruit. Please write it smoothly so the logic flows and be sure to include 1) as many details of the actual performance as you can find. When writing it please refer to the outline below and follow it carefully.

2) As many primary sources as you can find. Please refer to the attached doc ("outline with primary sources") and be sure to include every primary source mentioned there. Please then list those primary sources in the biblio at the end. Finally, some of those sources don't have the proper citations, please find those and include them in the biblio. Thank you!

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Actual Event: Billie Holiday*****s *****Strange Fruit***** is one of the best examples of an explicitly anti-racist song in which the the lynching of Thomas Shipp and Abram Smith is not only told, but also comments on the events of his death and that faced a lot of controversies.

A. The lyrics of Strange Fruit was originally from Abel Meeropol*****s poem, Strange Fruit. Using a pseudonym, Lewis Allan, Meeropol, a Jewish school teacher, published his peom in the Marxist journal, New Masses, after seeing a photo of the Thomas Shipp and Abram Smith*****s lynching. (pbs)

1. Meeropol later recalled how the photograph had *****haunted him for days.*****

i. The photograph was taken by Lawrence Beitler

2. *****I wrote *****˜Strange Fruit***** because I hate lynching, and I hate injustice, and I hate the people who perpetuate it.***** ***** Abel Meeropol 1971

3. When Billie Holiday first saw the song

i. At first, she didn*****t feel connected to the song

ii. *****didn*****t know what the hell the song meant***** *****Josephson

*****To be perfectly frank, I didn*****t think she felt very comfortable with the song, because it was so different from the songs to which she was accustomed,***** Meeropol later wrote. She asked him but one question: What did *****pastoral***** mean?

iii. But later they realized that the song had sunk in when tear ran down her cheeks after performing the song

B. The performance

1. *****Strange Fruit***** was first performed at a New York teachers***** union meeting and the performance caught the attention of the manager of the Café Society, a nightclub in Greenwich Village

i. (footnote)*****Café Society was the New York*****s only integrated nightclub outside Harlem

a. The people there were usually open-minded

2. The first time she sang the song at the Café Society is much more significant

i. She was scared to sing and regretted after she sang the first time at the nightclub

a. *****There wasn*****t even a patter of applause when I finished,***** she later said. *****Then a lone person began to clap nervously. Then suddenly everyone was clapping.*****

b. Strange Fruit became a nightly ritual for Billie Holiday

ii. Before she began the performance, all service was to cease. Waiters, cashiers, busboys were all stopped. The room then turned completely dark and had an only light on Holiday*****s face

iii. There were a lot of resistance to the controversial song

a. Sometimes abused physically by the angry nightclub patrons

1. Billie Holiday called them *****crackers*****(New York Times)

a. *****I remember a time a woman followed Billie into the powder room. Billie was wearing a strapless gown and she tried to brush the woman off. The woman became hysterical with tears ***** *****˜Don*****t you sing that song again! Don*****t you dare!***** ***** she screamed and ripped Billie*****s [gown].*****

b. The woman had seen a black man tied by the throat to the back fender of a car, hung up, and burned when she was a child.

b. Columbia, the company that produced Billie Holiday*****s records refused to produce records for Strange Fruit

c. Even progressive radio did not play the song

2. Later response became more positive

a. More and more people started to request the song

b. As the song started to gain popularity, record companies started to gain interest. Instead of Columbia, which refused to produce records for the song, Commodoreagreed to record the song. On April 20th, 1939, Milt Gabler of Commodore Records took a gamble on the highly provocative material. She later recorded it again for Verve. The controversial song sold well.

i. The saxophonist Kenneth Hollon said that in the first week, 10,000 copies have been sold

c. Time magazine described Strange Fruit as *****a prime piece of musical propaganda*****

d. Holiday claims it was a big success: "The version I did for Commodore became my biggest selling record.***** Strange Fruit was the equivalent of a top twenty hit in the 1930s

e. "I open Café Society as an unknown," Holiday said. "I left two years later as a star. I needed the prestige and publicity all right, but you can't pay rent with it." Holiday demanded her manager Joe Glaser give her a raise shortly after. (Lady Sings the Blues, pp. 104*****105.)

f. There still was controversy

i. It was disliked by the Jazz Purists

ii. The song was banned from the BBC

iii. Billie Holiday told the newspaper that she once was driven out of her car for singing Strange Fruit

How to Reference "Billie Holiday's "Strange Fruit" Research Paper in a Bibliography

Billie Holiday's "Strange Fruit.” A1-TermPaper.com, 2013, https://www.a1-termpaper.com/topics/essay/billie-holliday-strange-fruit/2182984. Accessed 5 Oct 2024.

Billie Holiday's "Strange Fruit (2013). Retrieved from https://www.a1-termpaper.com/topics/essay/billie-holliday-strange-fruit/2182984
A1-TermPaper.com. (2013). Billie Holiday's "Strange Fruit. [online] Available at: https://www.a1-termpaper.com/topics/essay/billie-holliday-strange-fruit/2182984 [Accessed 5 Oct, 2024].
”Billie Holiday's "Strange Fruit” 2013. A1-TermPaper.com. https://www.a1-termpaper.com/topics/essay/billie-holliday-strange-fruit/2182984.
”Billie Holiday's "Strange Fruit” A1-TermPaper.com, Last modified 2024. https://www.a1-termpaper.com/topics/essay/billie-holliday-strange-fruit/2182984.
[1] ”Billie Holiday's "Strange Fruit”, A1-TermPaper.com, 2013. [Online]. Available: https://www.a1-termpaper.com/topics/essay/billie-holliday-strange-fruit/2182984. [Accessed: 5-Oct-2024].
1. Billie Holiday's "Strange Fruit [Internet]. A1-TermPaper.com. 2013 [cited 5 October 2024]. Available from: https://www.a1-termpaper.com/topics/essay/billie-holliday-strange-fruit/2182984
1. Billie Holiday's "Strange Fruit. A1-TermPaper.com. https://www.a1-termpaper.com/topics/essay/billie-holliday-strange-fruit/2182984. Published 2013. Accessed October 5, 2024.

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