Essay on "Compare and Contrast Two Art Periods"

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Art History/Impressionism

Paintings of the French Impressionists have long enjoyed tremendous popularity among museum-goers in the United States. "The Impressionist galleries at the Metropolitan Museum, the National Gallery of Art, the Art Institute of Chicago, the Philadelphia Museum of Art, and the Museum of Fine Arts Boston serve as the crowning spaces in their larger installations of European easel painting, and most of these Impressionist galleries have the highest attendance of any permanent collection spaces in the museums" (Brettell, 1995). The purpose of this paper is to compare impressionism and post impressionism in terms of their characteristics of style and historical origins and significance. Impressionism was all about the changing light in natural settings. Post impressionist artists took these notions about light and the natural world and imposed on them more form and structure, fitting for the transition into the more modern world of the twentieth century.

In the mid-nineteenth century, when Impressionism was born, France was undergoing great change. Paris began its ascent as a capital of luxury and fashion. As well, the city became more industrialized, upsetting the social order (Hill, 1980, p. 9). Those who benefited from the advances in technology wanted cultural symbols that represented continuity and stability. Classical art was France's official art, to the dismay of art student Claude Monet, who said of the Greek busts and bas-reliefs favored by the upper classes, "there is no sincerity" (Hill, p. 10). Monet and some of his fellow students -- Cezanne, Degas, Renoir, Sisley, and Pissaro -- rebelled against their classical training and exhibited their w
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ork as part of a group exhibition in April, 1974. Critics were appalled and French society was enraged (Hill, p. 10). To some, the paintings looked as though they were unfinished.

The Impressionist painters responded to the classical style and the people of Paris it represented to them. They responded to an increasingly industrialized society by embracing the natural world. Their aim was not to represent the natural world in a careful, controlled way, but to use vivid colors and quick, bold brushstrokes to capture the essence, or impression, of nature and the play of light. An excellent example can be seen in Monet's painting c. 1872, Regatta at Argenteuil, which is housed at the Louvre.

Regatta shows some sailboats on what appears to be a clear summer day. The sky is comprised of a series of short, horizontal brushstrokes that the artist made with various shades of blue, white and gray. The water is even brighter blue than the sky, and in it one can see reflections of the sails as well as the people, buildings, and trees on shore. The trees are bright green; the buildings are shades of orange and red. It is easy to see that the painting depicts sailboats on a lake, but the painting appears to have been done in haste. Edges and details are blurred and the viewer's overall impression is of an explosion of color and light. The last great works of Monet illustrate this point quite well. Monet created a water garden at his house in Giverny and completed a series of paintings based on the garden. Whereas the earlier painting Regatta featured the natural world, it also included people and man-made objects such as the boats and the buildings. Water-garden… READ MORE

Quoted Instructions for "Compare and Contrast Two Art Periods" Assignment:

Paper Instructions:

Works of art vary greatly across genres and time periods. Some works of the humanities seem to have originated from the minds of specific individuals or from social and cultural influences, while other works of art were influenced by the styles and characteristics of earlier periods and are often a continuation of or reaction to those artistic styles. For example, classical art from ancient Greece and Rome was revived during the neoclassical era. Cubism was a reaction to the style and characteristics of the earlier European tradition of realistic painting. The purpose of this task is to analyze, critique, and understand where creativity and inspiration originate.

Your goal for this task is to discuss and analyze creativity as the continuation of, or as a reaction to, an earlier historical art period. You will choose two historical periods from the list below and discuss the relationships between the periods. You should discuss how one period revived or continued the style and characteristics of the other period or how one period originated in reaction to the other period.

The following is a list of historical art periods you can choose from:

*****¢ Classical

*****¢ Middle ages

*****¢ Renaissance

*****¢ Mannerism

*****¢ Baroque

*****¢ Rococo

*****¢ Neoclassical

*****¢ Romanticism

*****¢ Realism

*****¢ Impressionism

*****¢ Post impressionism

*****¢ Cubism

*****¢ Dadaism

*****¢ Geometric abstraction

*****¢ Pop art

*****¢ Surrealism

*****¢ Harlem Renaissance

Task:

A. Choose two art periods from the list above and write an essay (suggested length of 3*****5 pages) in which you do the following:

1. Describe the earlier historical art period, characteristics of the style, and social conditions that may have contributed to the advent of this style.

2. Describe the later historical art period, characteristics of the style, and social conditions that may have contributed to the advent of this style.

3. Analyze the relationship between the historical art periods.

a. Explain similarities or differences between the historical art periods.

b. Explain the purpose for continuing the tradition of the earlier historical art period or deviating from it.

1. Reference at least one specific work of art from each period in your discussion.

2. Explain how the later work relates to the earlier work.

c. Explain the influence the later historical art period had on the art world (i.e., its historical significance).

Note: You should assume that your audience has a basic knowledge of the art periods. You will want to identify both periods in your essay and describe the art periods (time periods, characteristics, and social conditions that may have contributed to the advent of the styles of the period), but you will want to do so in a way that will allow your readers see how the descriptions support your thesis concerning the relationship between the two art periods.

B. If you choose to use outside sources, include all in-text citations and references in APA format.



Note: When bulleted points are present in the task prompt, the level of detail or support called for in the rubric refers to those bulleted points.

Note: For definitions of terms commonly used in the rubric, see the Rubric Terms web link included in the Evaluation Procedures section.

Note: When using outside sources to support ideas and elements in a paper or project, the submission MUST include APA formatted in-text citations with a corresponding reference list for any direct quotes or paraphrasing. It is not necessary to list sources that were consulted if they have not been quoted or paraphrased in the text of the paper or project.

Note: No more than a combined total of 30% of a submission can be directly quoted or closely paraphrased from outside sources, even if cited correctly. For tips on using APA style, please refer to the APA Handout web link included in the APA Guidelines section.

Note: IF POSSIBLE, one of the three sources needs to be one of these books:

1. Perceiving the Arts, 9th. Ed. ISBN #0136045693

2. The Art of Being Human, 9th Ed. ISBN #0205605427

*****

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