Term Paper on "Work of Art in the Age of Its Technological Reproducibility"

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Art in the Age of Its Technological Reproducibility

Walter Benjamin was a critic of the arts; he made some proofs on the transformation of fine arts to modernized interpretation of art. There are five main ideas to his analysis of "The Work of Art in the Age of Its Technological Reproducibility," based on Benjamin (1937):

To an ever greater degree the work of art reproduced becomes the work of art designed for reproducibility.

The film responds to the shriveling of the aura with an artificial build-up of the "personality" outside the studio.

The equipment-free aspect of reality here has become the height of artifice; the sight of immediate reality has become an orchid in the land of technology.

Magician and surgeon compare to painter and cameraman.

By close-ups of the things around us, by focusing on hidden details of familiar objects, by exploring commonplace milieus under the ingenious guidance of the camera, the film, on the one hand, extends our comprehension of the necessities which rule our lives; on the other hand, it manages to assure us of an immense and unexpected field of action. With the close-up, space expands; with slow motion, movement is extended.

The history of art has different meaning when reproduced because it will be based on the interpretation of how each individual understand the situation. The "Mona Lisa" has been reproduced several times but the original art of Mona Lisa has been kept and every time a person looks at it and scrutinized a different interpretation will come up. In our modern world of today, the authenticity were being check
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ed because only one unique work is valid and cannot be equally reproduced.

As Benjamin (1937) quoted, "War is beautiful because it enriches a flowering meadow with the fiery orchids of machine guns." With the writings of Benjamin, war gave us way to realized that there are many forms of arts and one of this is an art can be reproduce even a hundred of times with an exact copy of each one of them to the original one. People created several machine guns to survive during the made. They made replications and such reproductions helped in enhancing and modernizing machine guns. During the medieval times, only one is responsible for its own work of art and it is hard to replicate it but through developments and technology it can be traced copied and multiplied. Through a mass reproduction of machine guns during the war, the existence of the original loose its uniqueness but then it has been enhance to its thus giving them other form of art. War gave artists different kinds of perceptions and they created these perceptions through writing their experiences and knowledge. It was the time that many art forms created and interpreted.

Art became part of the fascism in terms of political repression. Benjamin (1937) once quoted that "Fascism sees its salvation in giving these masses not their right, but instead a chance to express themselves." This was the time of political tyranny, where people were not pleased with what was happening in their… READ MORE

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Objective: To investigate the cognitive leap from ideas that are concrete and explicit to ideas and concepts that are abstract and allusive.

Task: With the Epilogue to his essay, Benjamin shifts from a moderately straightforward discussion of the effects of technology on art and human perception to a series of somewhat abstract assertions about fascism, communism, and war. Write an essay in which you explain how Benjamin's Epilogue about war is a logical conclusion to his essay about art. A superior paper will successfully demonstrate how the body of Benjamin's essay prepares for its conclusion (or at least attempts to do so in a coherent, well-organized way). Note: Make sure that you avoid making superficial analogies between art and war.

Brainstorming Questions:

1)Benjamin's essay is organized into a series of numbered sections. What is the controlling idea of each section?

2)How is the Epigraph related to the Epilogue?

3)How would you paraphrase Benjamin's argument?

4)Where and how does the essay prepare the reader for this conclusion?

5)Are there any concepts, ideas, or images that are repeated in the essay?

6)How does Benjamin talk about art as political?

7)How does art change from being a private to public phenomenon?

8)How does art reflect, imitate, or celebrate technology?

Format: An identifiable focus, summarized in a thesis statement that appears in your first paragraph. Thesis statement must be underlined! Each paragraph must contain at least one quotation using MLA in-text citation! Introduce and comment upon each quotation! Avoid all generalizations!

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Work of Art in the Age of Its Technological Reproducibility.” A1-TermPaper.com, 2005, https://www.a1-termpaper.com/topics/essay/art-age/28361. Accessed 28 Sep 2024.

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