Annotated Bibliography on "House of Mirth and Invisible Man"
Annotated Bibliography 4 pages (1200 words) Sources: 5
[EXCERPT] . . . .
Vol. 37, No. 1 (2004), pp. 96-120.Hardin's treatment of invisibility in Invisible Man bridges race, class, gender, and power and also sexuality. The author discusses the ways invisibility served as a survival mechanism vis-a-vis lynchings and other relatively common responses to visible deviances from the white establishment, like skin color. Passing as white could mean passing one's way into freedom, avoiding the brutality of racism. At the same time, passing can mean biracial identity construction, which is an even more problematic brand of invisibility. The biracial individual ultimately does not get away with "passing" for anything, and does not fit neatly into any pre-established ethnic category. The person is without a social home, without an identity. Yet invisibility can also be a response to and defense of homoeroticism and what Hardin calls a "transgressive sexuality," (96). Hardin effectively connects homoeroticism to miscegenation, as both signify liminal positions. Biraciality implies one does not fit into acceptable categories, just as homosexual desire precludes a person from squeezing into neatly defined social structures or normative behaviors. As Lily Bart likewise fails to fit into neatly defined social structures, this astute analysis will prove helpful in crafting my argument.
Kaplan, Amy. "Crowded Spaces in The House of Mirth." In Singley, Carol J. Edith Wharton's The House of Mirth: A Casebook. Oxford University Press, 2003.
Beginning with a discussion of Lily Bart's seemingly fake and unrealistic appearance when we readers first meet her, Kaplan launches into a deep discussion about social structures and stratifications. The str
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Merish, Lori. "Engendering Naturalism." In Singley, Carol J. Edith Wharton's The House of Mirth: A Casebook. Oxford University Press, 2003.
Invisibility is a tacit theme in The House of Mirth, as much as it is an explicit one in Invisible Man. Merish talks about invisibility as a "disembodied abstraction" in this article (249). Ironically, Merish locates invisibility not with women, which would be the most logical place to look, but with men instead. Merish notes that in The House of Mirth, women's bodies are used "to display men's wealth and men's wears," and are therefore the visible counterpart to men's implicit and invisible power (249). Men in Wharton's novel "hover in the background," only appearing in relation to their utility or their money (249). Men's power and status is wrapped up in the power of their invisibility, as they are the puppeteers pulling the strings in the lives of women; Ellison would likely point out also that white men proffers the privilege of pulling the strings of power over people of color, too. Generally this article connects race, class, gender, and power in unique ways.
Restuccia, Francis L. "The Name of the Lily: Edith Wharton's Feminism(s)." Contemporary Literature Vol 28, No. 2 (Summer 1987), pp. 223-238.
Restuccia discusses the different types of "feminisms" in Wharton's novel, which the author calls a "social fable that indicts" society for producing "human feminine ornaments that it has no qualms about crushing," (p. 223). Just as Merish discusses women as servants to men's power, Restuccia likewise dissects The House of Mirth to… READ MORE
How to Reference "House of Mirth and Invisible Man" Annotated Bibliography in a Bibliography
“House of Mirth and Invisible Man.” A1-TermPaper.com, 2016, https://www.a1-termpaper.com/topics/essay/annotated-bibliography-two-novels/7080297. Accessed 3 Jul 2024.
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